sell to us

WE BUY VINYL RECORD, CDS & MUSIC MEMORABILIA COLLECTIONS IN VALE DOWN DEVON

WHAT WE WANT..

We will travel to Vale Down in Devon to buy your Rare Records, CDs and Pop Memorabilia and we are buying in all of the following local Vale Down areas below.

Including all of the Devon boroughs and district areas East Devon, Exeter, Mid Devon, North Devon, Plymouth, South Hams, Teignbridge, Torbay, Torridge, West Devon.

To see a list of all the other towns in Devon we buy from click here.

Here are just a few examples of what we buy :

Records – vinyl LPs, 7-inch & 12-inch singles, EPs, 33 RPM, 45 RPM, Picture Discs, Coloured Vinyls, Test Pressings, Acetates, Demos and Promo/Promotional Items Compact Discs – CD Singles, CD/DVD singles, Limited Editions, 3” CD singles, Boxed Sets, 33 1/3 RPM, 78 RPM

Pop Memorabilia – Autographs, Guitars, Picks, Display Items, Photographs, Sheet Music, Vintage Clothing, handwritten lyrics, set lists, tour itinerary, stage props & costumes, paper goods, paintings, sketches, art, concert programmes, concert posters, tickets & stubbs, press kits, photographs, scrap books, Genesis Publications, Osiris, Hapshash & the Coloured Coat, Michael English, Ringo Or Robin, ROR, Apple Boutique items and anything interesting, unusual or downright weird.

Gold, Silver & Platinum Record Awards – Certified BPI, RIAA, IFPI or SNEP, authentic in-house variants, Grammy, Ivor Novello, ASCAP, publishing, plaques, shields, trophies, certificates & citations

Original 60s & 70s vinyl record pressings by The Beatles, John Lennon, Paul McCartney, George Harrison, Ringo Starr, Marc Bolan / T-Rex, David Bowie, Eric Clapton / Cream, Bob Dylan, Elvis Presley, Fleetwood Mac, Genesis, Jimi Hendrix, Led Zeppelin, Pink Floyd, Queen, Rolling Stones, Bruce Springsteen, Velvet Underground, The Who, Neil Young, Frank Zappa and thousands more always required.

Jazz vinyl LPs by Miles Davis, John Coltrane, Dave Brubeck, Paul Gonsalves, Herbie Hancock, Art Pepper, Tina Brooks, Thelonious Monk, Jackie McLean, Shelly Manne, Sonny Clark, Cannonball Adderley, Sonny Stitt, Zoot Simms, Kenny Drew, Duke Pearson, Dexter Gordon, Charlie Parker, Dizzy Gillespie, Don Ellis, Lennie Niehaus, Kenny Clarke, Francy Boland, Donald Byrd, Hank Mobley, Horace Silver

British Jazz vinyl LPs by Neil Ardley, Gordon Beck, Bill le Sage, Ronnie Ross, Ian Carr, Jeff Clyne, Tony Coe, Mike Cotton, Michael Garrick, Michael Gibbs, Joe Harriott, John Mayer, Tubby Hayes, Allan Holdsworth, John McLaughlin, Harold McNair, Dudley Moore, Dick Morrissey, Mike Osborne, Stan Tracey, Tony Oxley, Don Rendell, Ronnie Scott, Victor Feldman, John Surman, Keith Tippett, Julie Tippett, Mike Westbrook

Pop record collections by Abba, Kate Bush, Mariah Carey, Duran Duran, Kylie Minogue, Madonna, Pet Shop Boys, Spice Girls, U2

Punk, New Wave & Alternative collections by Blur, The Clash, The Cure, The Damned, Depeche Mode, The Jam / Paul Weller, Japan, David Sylvian, Joy Division, New Order, Nirvana, Oasis, Ramones, Sex Pistols, Siouxsie & The Banshees, The Smiths, Morrissey, U2, Bono, The Edge, XTC

Rock & Metal collections by AC/DC, Black Sabbath, Ozzy Osbourne, Bon Jovi, Deep Purple, Hawkwind, Iron Maiden, Metallica, Motorhead, Rush, ZZ Top

Genres - 60s, 70s, 80s, 90s, Pop, Beat, Rock, Progressive, Psychedelic, Freakbeat, Krautrock, Heavy Metal, Indie, Jazz (modern, be-bop, avant garde, Britjazz), Funk, Fusion, Blues, Soul, R&B, Punk, New Wave, Mod, 2-Tone, Ska, Reggae, Folk, Italo Disco, Library, Motown.

Labels - 4AD, A&M, ABC, Ace, Apple, Argo, Arista, Atco, Atlantic, Audio Lab, BBC, Bell, Bethlehem, Blue Horizon, Blue Note, Bronze, Brunswick, Buddah, Cadet, Capitol, Carnaby, Casablanca, CBS, Charisma, Chess, Chrysalis, Columbia, Contemporary, Coral, Cotillon, Dandelion, Dark Horse, Dawn, Decca, Deram, Disneyland, Dot, Dunhill, Elektra, Emarcy, Ember, EMI, Epic, Factory, Fantasy, Fontana, Geffen, Gordy, Harmony, Harvest, HMV, Immediate, Impulse!, Island, Kama Sutra, KPM, Liberty, London, Mainstream, Marmelade, MCA, Mercury, MGM, Monument, Motown, Neon, Odeon, Page One, Paramount, Parlophone, Philips, Planet, Polydor, Portrait, Prestige, Pye, Rare Earth, RCA, Regal Zonophone, Reprise, Ring O’, Riverside, Rolling Stone, Roulette, Savoy, Sire, Spark, Stax, Straight, Sue, Sun, Swan, Tamla, Threshold, Transatlantic, Tollie, Tower, Track, United Artists, Universal, Vanguard, Vee Jay, Vertigo swirl, Vertigo spaceship, Verve, Virgin, Volt, Warner, ZTT & etc. If we missed some, we probably need those too.

Swap your records for store credit.

Top Prices paid for MINT condition originals !

WHY SELL TO US?

Our experienced team of buyers has been sourcing records, CDs and music memorabilia collections for over 25 years - we like to keep things simple. We’re keen to purchase your quality collectables or second-hand vinyl records and CD's wherever you may be.

We will be pleased to quote for your mint condition items and we love to buy complete collections.

Sell to us with complete confidence and safety - we even refund your postage. If you have a large or valuable collection we can arrange to visit you.

No fees, no negative feedback, no excuses, no fuss. We buy outright and pay immediately.

We are a better than a Vale Down high street record shop, independent record shop, record fair or any other place to sell your records in a Market, Town Centre or Vale Down Shopping Centre, Center or Mall and we will pay more than a Vale Down HMV, Our Price, Zavvi, Fopp, Virgin or Rough Trade shop. We buy unwanted Christmas / Xmas / Birthday gifts & presents from the 1960s, 1970s, 1980s, 1990s, 2000s and 2010s.

We are the world leader of online sellers & record dealers so make money and cash in on a collectable or blue chip record which has gathered dust for years

We also buy Records and CD collections in house clearances and from dead or deceased relatives in the North, South, East and West of Devon

Our UK office is located in Kent although we travel worldwide. We have international offices located in Las Vegas USA, and Hiroshima City, Japan. We travel extensively to buy rare items and large collections.

Call us first on the numbers below if you have a collection to sell, or e-mail a detailed description of the items you have. Don’t delay… you may be surprised at what your records are worth!

INSTANT CASH WAITING TODAY

Remember, we will travel to Vale Down in Devon to buy your Rare Records, CDs and Pop Memorabilia and we are buying in all of the following local Vale Down areas below.

Including all of the Devon boroughs and district areas East Devon, Exeter, Mid Devon, North Devon, Plymouth, South Hams, Teignbridge, Torbay, Torridge, West Devon.

CONTACT US

E-mail - buyers@991.com

Call FREE in the UK 0800 345 7551 | From outside the UK +44 (0)1474 815099

Contact our buyers direct on the following numbers:

Syd Franklin | UK +44(0)1474 816047
Queen, 70's Rock, any other Rock and Jethro Tull a speciality.

Mark Evetts | UK +44(0)1474 816064
Hendrix, Who, Queen, 70s, 80s, 90s Pop, Rock, Indie, Alternative, Metal, Punk, New Wave & Football expert.

Richard Austin | UK +44 (0)1474 816052
Our resident hippy - Art Pepper to Frank Zappa, via Tori Amos & Hawkwind.

Julian Thomas | UK +44 (0)1474 816069
60s & 70s, Beatles, Stones, Zep, Jazz vinyl collections - British, Modern & Avant Garde.

Rich Wilson | UK +44 (0)1474 816059
Jazz, Funk, Disco - strange & unusual preferred.

In Japan you can contact:
Yashuhiko Yashiki Tel / Fax - 0081-82-245-8830
email - Yashiki

Our postal address is:

991 Buyers
The Nine Nine One Building
Railway Sidings
Meopham
Kent DA13 0YS
England

We will travel to all the following Countries England, Wales / Cymru, Scotland, Republic of Ireland / Éire, Northern Ireland, France / Française, Belgium / België / Belgique, United States and the Rest of the World

A FEW OF THE MOST RECENT ITEMS WE WANT...

	IRON MAIDEN 2 Minutes To Midnight (1984 UK limited edition 3-track 12" Picture Disc single featuring the classic track and one of the long running fan favourites, often used as a blinding set opener, also including Rainbow's Gold and Mission From 'Arry. With a superb image of an assault rifle-toting 'Cold War Eddie' on one side with a 'firing squad' line-up photo of the band on the reverse, 'offensive language' stickered outer PVC sleeve 12EMIP5489)
	HUSKER DU Savage Young Du (2017 US 69-track 3CD box set, spanning the first four years of Husker Du from 1979-1982, containing demos, studio and live recordings remastered from original session masters and soundboard tapes. 47 of the 69 tracksare previously unissued, some of which are never-before-heard songs. It also includes a 108-page hard cover book containing unreleased photographs, tour history, flyerography, a sessionography by Hüsker Dü archivist Paul Hilcoff, and a comprehensive essay by music journalist Erin Osman. The discs are presented in integral picture sleeves, all housed in a book inside a heavy duty outer cardboard box, and although not sealed remains in Near Mint and barely condition. Essential to any Husker Du and US punk collection) Tracklisting: A1 Do You Remember? A2 Sore Eyes A3 Can't See You Anymore A4 Picture Of You A5 The Truth Hurts A6 Do The Bee A7 Nuclear Nightmare A8 All I've Got To Lose Is You B1 Chinese Rocks Written-By – Colvin, Meyers B2 Uncle Ron B3 Data Control B4 Insects Rule The World B5 You're Too Obtuse B6 Outside B7 Sexual Economics B8 What Went Wrong C1 Statues C2 Amusement C3 Writer's Cramp C4 Let's Go Die C5 Walk With The Wounded C6 Industrial Grocery Store D1 Drug Party D2 Call On Me D3 Termination D4 I'm Tired Of Doing Things D5 Stick It To Me D6 Wheels E1 All Tensed Up E2 Don't Try To Call E3 I'm Not Interested E4 Guns At My School E5 Push The Button E6 Gilligan's Island E7 MTC E8 Don't Have A Life E9 You're Naive E10 Strange Week E11 Big Sky E12 Ultracore E13 Let's Go Die F1 Won't Say A Word F2 Don't Try It F3 Private Hell F4 Diane F5 Sex Dolls F6 In A Free Land F7 What Do I Want? F8 M.I.C. F9 Target (In A Free Land Session) F10 Signals From Above (In A Free Land Session) G1 From The Gut G2 Blah, Blah, Blah G3 Punch Drunk G4 Bricklayer G5 Afraid Of Being Wrong G6 Sunshine Superman Written-By – D. Leitch* G7 Signals From Above G8 Everything Falls Apart G9 Wheels G10 Target G11 Obnoxious G12 Gravity H1 Do You Remember? (Live Version) H2 Travel In Opposite Car H3 It's Not Funny Anymore H4 Real World H5 Out On A Limb H6 It's Not Fair
	THE BEATLES The U.S. Albums (2014 US limited edition remastered 13-CD box set containing 13 original U.S. albums on Compact Disc presented in both Mono and Stereo, inside replica miniature LP cover packaging. This collection adds the last piece to the complex jigsaw that was The Beatles and their releases in both the United States and the United Kingdom, from 'Please Please Me' to their US swansong album 'Hey Jude'. This set contains all of the US album releases from 'Meet The Beatles!' through to 'Hey Jude', with each album replicating the original cover artwork and catalogue inners where appropriate, even to the extent of providing a textured 'slick' sticker for you to create your own pasteover 'Butcher' sleeve on 'Yesterday And Today'. The attention to detail is everything you'd hope for and the CDs each contain the mono & stereo mixes on a label replica designed disc. Complete with a 64-page illustrated booklet, all housed inside a rigid slipcase picture box with a title insert, and still factory sealed!. Recommended) Tracklisting: Does this Treasure Chest live up to expectations ? Yes! You even get a Trunk Cover sticker for your Yesterday And Today with the withdrawn Butcher sleeve art, so you can do the reverse of what people have spent over 45 years trying to do and create your own pasteover version! You all know that the LP releases in the UK did not match the US until Pepper. This led to some interesting anomalies. The most obvious one was the release of three tracks from the UK Revolver on Yesterday And Today, months prior to the UK release. By the time these were finally released in the UK, the tracks had undergone modification and sounded noticably different. This is also why the US Revolver has eleven tracks, not fourteen. I'm listening right now. Crisp, clean, instruments separated and bright. You can now hear when double tracked vocals kick in, when reverb starts & stops, the acoustic underneath the string quartet in Yesterday. Wow ! This is nice. If what I've heard so far is typical, they sound glorious. Let's move on to the 'Why You NEED This Box Set' section ... Apart from the jaw dropping beauty of the contents, the five previously unreleased albums and exclusive booklet, there are many differences between the UK versions & these. By the time Capitol got round to start issuing Beatles records in earnest, the band had already released four singles and an LP. Some US tracks were originally issued through smaller record labels as Capitol hesitated before deciding to take The Beatles on. The result was albums with less tracks, often with single releases & sonic tweaking. Sometimes, it's a matter of taste. Other times, such as the transformation of the US Rubber Soul, it works well. Sometimes the mixes are different, or different takes, or it seems to have been the unmixed masters if their old eight track cartridge catalogue is anything to go by. Now, at last, [with the possible exception of some of the US mixes of MMT] we have it all. There's still scope for a combined UK/US 'Rarities' release of some kind, I notice. We can but hope. Obvious differences: The extra reverb on some tracks. This all but disappears by Beatles VI. On Meet The Beatles, the Capitol mixes were actually taken from the UK stereo masters, completely different to the UK mono and stereo versions. The mono single mix of I Want To Hold Your Hand & This Boy were used for both stereo and mono. You can really hear this and the mixes are very different. On The Beatles Second Album, Capitol played much the same game. Long Tall Sally is actually a later mix than used in the UK, I Call Your Name, an earlier one. The stereo mix of Thank You Girl was not issued in the UK. Money has an extra Piano overdub. The stereo mixes of the tracks on the Long Tall Sally EP remained unissued in the UK until remixed for Rock And Roll Music, finally appearing on Past Masters. A Hard Day's Night & Help! contained film incidental music not issued in the UK. There are subtle differences between the songs and their UK versions, but mostly it follows the UK formats. Something New ? I'll Cry Instead is a different edit stereo mix with an extra verse. And I Love Her loses double tracking on the vocal. If I Fell has the mono mix with a fixed vocal. The German I Want To Hold Your Hand was not released in the UK. For a change, they mostly used the UK stereo mixes for the stereo version. On Beatles 65, I'll Be Back is slower with more echo. I Feel Fine & She's A Woman are a different mix. For stereo, they mostly used the UK mixes or duophonic for singles. On The Early Beatles, the mono is built from the UK stereo masters, so different. For stereo, they used the UK stereo masters and rechannelled the mono single tracks. For Beatles VI, it was mostly the UK mono & stereo mixes throughout. On Rubber Soul, the stereo spread of some songs is different, particularly the double tracked vocals & the false start to I'm Looking Through You that is missing on the UK version. A different mix of Michelle is evident in the mono version too. The Word is wildly different to the UK stereo. Yesterday And Today has unique mixes of I'm Only Sleeping, Doctor Robert & And Your Bird Can Sing, as a result of Capitol being supplied with them months before the UK release. Mostly the mono mixes are derived from the UK stereo, but there are oddities like the mix of We Can Work It Out & a unique stereo mix of Day Tripper. Revolver was pretty much the same as the UK version but with three less songs. Enough of this waffle. Buy it. Listen to it & remind yourself why they are still the Greatest band of all time. Review by RTA The Beatles: The U.S. Albums Presented in mono and stereo, except where noted as stereo only CD1 \| Meet The Beatles! [Capitol Records: released January 10, 1964; 11 weeks at No. 1] CD2 \| The Beatles’ Second Album [Capitol Records: released April 10, 1964; five weeks at No. 1] CD3 \| A Hard Day’s Night (Original Motion Picture Soundtrack) [United Artists: released June 26, 1964; 14 weeks at No. 1] CD4 \| Something New [Capitol Records: released July 20
	THE BEATLES The U.S. Albums (2014 US limited edition remastered 13-CD box set containing 13 original U.S. albums on Compact Disc presented in both Mono and Stereo, inside replica miniature LP cover packaging. This collection adds the last piece to the complex jigsaw that was The Beatles and their releases in both the United States and the United Kingdom, from 'Please Please Me' to their US swansong album 'Hey Jude'. This set contains all of the US album releases from 'Meet The Beatles!' through to 'Hey Jude', with each album replicating the original cover artwork and catalogue inners where appropriate, even to the extent of providing a textured 'slick' sticker for you to create your own pasteover 'Butcher' sleeve on 'Yesterday And Today'. The attention to detail is everything you'd hope for and the CDs each contain the mono & stereo mixes on a label replica designed disc. Complete with a 64-page illustrated booklet, all housed inside a rigid slipcase picture box with a title insert, and still factory sealed!. Recommended) Tracklisting: Does this Treasure Chest live up to expectations ? Yes! You even get a Trunk Cover sticker for your Yesterday And Today with the withdrawn Butcher sleeve art, so you can do the reverse of what people have spent over 45 years trying to do and create your own pasteover version! You all know that the LP releases in the UK did not match the US until Pepper. This led to some interesting anomalies. The most obvious one was the release of three tracks from the UK Revolver on Yesterday And Today, months prior to the UK release. By the time these were finally released in the UK, the tracks had undergone modification and sounded noticably different. This is also why the US Revolver has eleven tracks, not fourteen. I'm listening right now. Crisp, clean, instruments separated and bright. You can now hear when double tracked vocals kick in, when reverb starts & stops, the acoustic underneath the string quartet in Yesterday. Wow ! This is nice. If what I've heard so far is typical, they sound glorious. Let's move on to the 'Why You NEED This Box Set' section ... Apart from the jaw dropping beauty of the contents, the five previously unreleased albums and exclusive booklet, there are many differences between the UK versions & these. By the time Capitol got round to start issuing Beatles records in earnest, the band had already released four singles and an LP. Some US tracks were originally issued through smaller record labels as Capitol hesitated before deciding to take The Beatles on. The result was albums with less tracks, often with single releases & sonic tweaking. Sometimes, it's a matter of taste. Other times, such as the transformation of the US Rubber Soul, it works well. Sometimes the mixes are different, or different takes, or it seems to have been the unmixed masters if their old eight track cartridge catalogue is anything to go by. Now, at last, [with the possible exception of some of the US mixes of MMT] we have it all. There's still scope for a combined UK/US 'Rarities' release of some kind, I notice. We can but hope. Obvious differences: The extra reverb on some tracks. This all but disappears by Beatles VI. On Meet The Beatles, the Capitol mixes were actually taken from the UK stereo masters, completely different to the UK mono and stereo versions. The mono single mix of I Want To Hold Your Hand & This Boy were used for both stereo and mono. You can really hear this and the mixes are very different. On The Beatles Second Album, Capitol played much the same game. Long Tall Sally is actually a later mix than used in the UK, I Call Your Name, an earlier one. The stereo mix of Thank You Girl was not issued in the UK. Money has an extra Piano overdub. The stereo mixes of the tracks on the Long Tall Sally EP remained unissued in the UK until remixed for Rock And Roll Music, finally appearing on Past Masters. A Hard Day's Night & Help! contained film incidental music not issued in the UK. There are subtle differences between the songs and their UK versions, but mostly it follows the UK formats. Something New ? I'll Cry Instead is a different edit stereo mix with an extra verse. And I Love Her loses double tracking on the vocal. If I Fell has the mono mix with a fixed vocal. The German I Want To Hold Your Hand was not released in the UK. For a change, they mostly used the UK stereo mixes for the stereo version. On Beatles 65, I'll Be Back is slower with more echo. I Feel Fine & She's A Woman are a different mix. For stereo, they mostly used the UK mixes or duophonic for singles. On The Early Beatles, the mono is built from the UK stereo masters, so different. For stereo, they used the UK stereo masters and rechannelled the mono single tracks. For Beatles VI, it was mostly the UK mono & stereo mixes throughout. On Rubber Soul, the stereo spread of some songs is different, particularly the double tracked vocals & the false start to I'm Looking Through You that is missing on the UK version. A different mix of Michelle is evident in the mono version too. The Word is wildly different to the UK stereo. Yesterday And Today has unique mixes of I'm Only Sleeping, Doctor Robert & And Your Bird Can Sing, as a result of Capitol being supplied with them months before the UK release. Mostly the mono mixes are derived from the UK stereo, but there are oddities like the mix of We Can Work It Out & a unique stereo mix of Day Tripper. Revolver was pretty much the same as the UK version but with three less songs. Enough of this waffle. Buy it. Listen to it & remind yourself why they are still the Greatest band of all time. Review by RTA The Beatles: The U.S. Albums Presented in mono and stereo, except where noted as stereo only CD1 \| Meet The Beatles! [Capitol Records: released January 10, 1964; 11 weeks at No. 1] CD2 \| The Beatles’ Second Album [Capitol Records: released April 10, 1964; five weeks at No. 1] CD3 \| A Hard Day’s Night (Original Motion Picture Soundtrack) [United Artists: released June 26, 1964; 14 weeks at No. 1] CD4 \| Something New [Capitol Records: released July 20

More information about can be found at Wikipedia here

	IRON MAIDEN 2 Minutes To Midnight (1984 UK limited edition 3-track 12" Picture Disc single featuring the classic track and one of the long running fan favourites, often used as a blinding set opener, also including Rainbow's Gold and Mission From 'Arry. With a superb image of an assault rifle-toting 'Cold War Eddie' on one side with a 'firing squad' line-up photo of the band on the reverse, 'offensive language' stickered outer PVC sleeve 12EMIP5489)
	HUSKER DU Savage Young Du (2017 US 69-track 3CD box set, spanning the first four years of Husker Du from 1979-1982, containing demos, studio and live recordings remastered from original session masters and soundboard tapes. 47 of the 69 tracksare previously unissued, some of which are never-before-heard songs. It also includes a 108-page hard cover book containing unreleased photographs, tour history, flyerography, a sessionography by Hüsker Dü archivist Paul Hilcoff, and a comprehensive essay by music journalist Erin Osman. The discs are presented in integral picture sleeves, all housed in a book inside a heavy duty outer cardboard box, and although not sealed remains in Near Mint and barely condition. Essential to any Husker Du and US punk collection) Tracklisting: A1 Do You Remember? A2 Sore Eyes A3 Can't See You Anymore A4 Picture Of You A5 The Truth Hurts A6 Do The Bee A7 Nuclear Nightmare A8 All I've Got To Lose Is You B1 Chinese Rocks Written-By – Colvin, Meyers B2 Uncle Ron B3 Data Control B4 Insects Rule The World B5 You're Too Obtuse B6 Outside B7 Sexual Economics B8 What Went Wrong C1 Statues C2 Amusement C3 Writer's Cramp C4 Let's Go Die C5 Walk With The Wounded C6 Industrial Grocery Store D1 Drug Party D2 Call On Me D3 Termination D4 I'm Tired Of Doing Things D5 Stick It To Me D6 Wheels E1 All Tensed Up E2 Don't Try To Call E3 I'm Not Interested E4 Guns At My School E5 Push The Button E6 Gilligan's Island E7 MTC E8 Don't Have A Life E9 You're Naive E10 Strange Week E11 Big Sky E12 Ultracore E13 Let's Go Die F1 Won't Say A Word F2 Don't Try It F3 Private Hell F4 Diane F5 Sex Dolls F6 In A Free Land F7 What Do I Want? F8 M.I.C. F9 Target (In A Free Land Session) F10 Signals From Above (In A Free Land Session) G1 From The Gut G2 Blah, Blah, Blah G3 Punch Drunk G4 Bricklayer G5 Afraid Of Being Wrong G6 Sunshine Superman Written-By – D. Leitch* G7 Signals From Above G8 Everything Falls Apart G9 Wheels G10 Target G11 Obnoxious G12 Gravity H1 Do You Remember? (Live Version) H2 Travel In Opposite Car H3 It's Not Funny Anymore H4 Real World H5 Out On A Limb H6 It's Not Fair
	THE BEATLES The U.S. Albums (2014 US limited edition remastered 13-CD box set containing 13 original U.S. albums on Compact Disc presented in both Mono and Stereo, inside replica miniature LP cover packaging. This collection adds the last piece to the complex jigsaw that was The Beatles and their releases in both the United States and the United Kingdom, from 'Please Please Me' to their US swansong album 'Hey Jude'. This set contains all of the US album releases from 'Meet The Beatles!' through to 'Hey Jude', with each album replicating the original cover artwork and catalogue inners where appropriate, even to the extent of providing a textured 'slick' sticker for you to create your own pasteover 'Butcher' sleeve on 'Yesterday And Today'. The attention to detail is everything you'd hope for and the CDs each contain the mono & stereo mixes on a label replica designed disc. Complete with a 64-page illustrated booklet, all housed inside a rigid slipcase picture box with a title insert, and still factory sealed!. Recommended) Tracklisting: Does this Treasure Chest live up to expectations ? Yes! You even get a Trunk Cover sticker for your Yesterday And Today with the withdrawn Butcher sleeve art, so you can do the reverse of what people have spent over 45 years trying to do and create your own pasteover version! You all know that the LP releases in the UK did not match the US until Pepper. This led to some interesting anomalies. The most obvious one was the release of three tracks from the UK Revolver on Yesterday And Today, months prior to the UK release. By the time these were finally released in the UK, the tracks had undergone modification and sounded noticably different. This is also why the US Revolver has eleven tracks, not fourteen. I'm listening right now. Crisp, clean, instruments separated and bright. You can now hear when double tracked vocals kick in, when reverb starts & stops, the acoustic underneath the string quartet in Yesterday. Wow ! This is nice. If what I've heard so far is typical, they sound glorious. Let's move on to the 'Why You NEED This Box Set' section ... Apart from the jaw dropping beauty of the contents, the five previously unreleased albums and exclusive booklet, there are many differences between the UK versions & these. By the time Capitol got round to start issuing Beatles records in earnest, the band had already released four singles and an LP. Some US tracks were originally issued through smaller record labels as Capitol hesitated before deciding to take The Beatles on. The result was albums with less tracks, often with single releases & sonic tweaking. Sometimes, it's a matter of taste. Other times, such as the transformation of the US Rubber Soul, it works well. Sometimes the mixes are different, or different takes, or it seems to have been the unmixed masters if their old eight track cartridge catalogue is anything to go by. Now, at last, [with the possible exception of some of the US mixes of MMT] we have it all. There's still scope for a combined UK/US 'Rarities' release of some kind, I notice. We can but hope. Obvious differences: The extra reverb on some tracks. This all but disappears by Beatles VI. On Meet The Beatles, the Capitol mixes were actually taken from the UK stereo masters, completely different to the UK mono and stereo versions. The mono single mix of I Want To Hold Your Hand & This Boy were used for both stereo and mono. You can really hear this and the mixes are very different. On The Beatles Second Album, Capitol played much the same game. Long Tall Sally is actually a later mix than used in the UK, I Call Your Name, an earlier one. The stereo mix of Thank You Girl was not issued in the UK. Money has an extra Piano overdub. The stereo mixes of the tracks on the Long Tall Sally EP remained unissued in the UK until remixed for Rock And Roll Music, finally appearing on Past Masters. A Hard Day's Night & Help! contained film incidental music not issued in the UK. There are subtle differences between the songs and their UK versions, but mostly it follows the UK formats. Something New ? I'll Cry Instead is a different edit stereo mix with an extra verse. And I Love Her loses double tracking on the vocal. If I Fell has the mono mix with a fixed vocal. The German I Want To Hold Your Hand was not released in the UK. For a change, they mostly used the UK stereo mixes for the stereo version. On Beatles 65, I'll Be Back is slower with more echo. I Feel Fine & She's A Woman are a different mix. For stereo, they mostly used the UK mixes or duophonic for singles. On The Early Beatles, the mono is built from the UK stereo masters, so different. For stereo, they used the UK stereo masters and rechannelled the mono single tracks. For Beatles VI, it was mostly the UK mono & stereo mixes throughout. On Rubber Soul, the stereo spread of some songs is different, particularly the double tracked vocals & the false start to I'm Looking Through You that is missing on the UK version. A different mix of Michelle is evident in the mono version too. The Word is wildly different to the UK stereo. Yesterday And Today has unique mixes of I'm Only Sleeping, Doctor Robert & And Your Bird Can Sing, as a result of Capitol being supplied with them months before the UK release. Mostly the mono mixes are derived from the UK stereo, but there are oddities like the mix of We Can Work It Out & a unique stereo mix of Day Tripper. Revolver was pretty much the same as the UK version but with three less songs. Enough of this waffle. Buy it. Listen to it & remind yourself why they are still the Greatest band of all time. Review by RTA The Beatles: The U.S. Albums Presented in mono and stereo, except where noted as stereo only CD1 \| Meet The Beatles! [Capitol Records: released January 10, 1964; 11 weeks at No. 1] CD2 \| The Beatles’ Second Album [Capitol Records: released April 10, 1964; five weeks at No. 1] CD3 \| A Hard Day’s Night (Original Motion Picture Soundtrack) [United Artists: released June 26, 1964; 14 weeks at No. 1] CD4 \| Something New [Capitol Records: released July 20
	THE BEATLES The U.S. Albums (2014 US limited edition remastered 13-CD box set containing 13 original U.S. albums on Compact Disc presented in both Mono and Stereo, inside replica miniature LP cover packaging. This collection adds the last piece to the complex jigsaw that was The Beatles and their releases in both the United States and the United Kingdom, from 'Please Please Me' to their US swansong album 'Hey Jude'. This set contains all of the US album releases from 'Meet The Beatles!' through to 'Hey Jude', with each album replicating the original cover artwork and catalogue inners where appropriate, even to the extent of providing a textured 'slick' sticker for you to create your own pasteover 'Butcher' sleeve on 'Yesterday And Today'. The attention to detail is everything you'd hope for and the CDs each contain the mono & stereo mixes on a label replica designed disc. Complete with a 64-page illustrated booklet, all housed inside a rigid slipcase picture box with a title insert, and still factory sealed!. Recommended) Tracklisting: Does this Treasure Chest live up to expectations ? Yes! You even get a Trunk Cover sticker for your Yesterday And Today with the withdrawn Butcher sleeve art, so you can do the reverse of what people have spent over 45 years trying to do and create your own pasteover version! You all know that the LP releases in the UK did not match the US until Pepper. This led to some interesting anomalies. The most obvious one was the release of three tracks from the UK Revolver on Yesterday And Today, months prior to the UK release. By the time these were finally released in the UK, the tracks had undergone modification and sounded noticably different. This is also why the US Revolver has eleven tracks, not fourteen. I'm listening right now. Crisp, clean, instruments separated and bright. You can now hear when double tracked vocals kick in, when reverb starts & stops, the acoustic underneath the string quartet in Yesterday. Wow ! This is nice. If what I've heard so far is typical, they sound glorious. Let's move on to the 'Why You NEED This Box Set' section ... Apart from the jaw dropping beauty of the contents, the five previously unreleased albums and exclusive booklet, there are many differences between the UK versions & these. By the time Capitol got round to start issuing Beatles records in earnest, the band had already released four singles and an LP. Some US tracks were originally issued through smaller record labels as Capitol hesitated before deciding to take The Beatles on. The result was albums with less tracks, often with single releases & sonic tweaking. Sometimes, it's a matter of taste. Other times, such as the transformation of the US Rubber Soul, it works well. Sometimes the mixes are different, or different takes, or it seems to have been the unmixed masters if their old eight track cartridge catalogue is anything to go by. Now, at last, [with the possible exception of some of the US mixes of MMT] we have it all. There's still scope for a combined UK/US 'Rarities' release of some kind, I notice. We can but hope. Obvious differences: The extra reverb on some tracks. This all but disappears by Beatles VI. On Meet The Beatles, the Capitol mixes were actually taken from the UK stereo masters, completely different to the UK mono and stereo versions. The mono single mix of I Want To Hold Your Hand & This Boy were used for both stereo and mono. You can really hear this and the mixes are very different. On The Beatles Second Album, Capitol played much the same game. Long Tall Sally is actually a later mix than used in the UK, I Call Your Name, an earlier one. The stereo mix of Thank You Girl was not issued in the UK. Money has an extra Piano overdub. The stereo mixes of the tracks on the Long Tall Sally EP remained unissued in the UK until remixed for Rock And Roll Music, finally appearing on Past Masters. A Hard Day's Night & Help! contained film incidental music not issued in the UK. There are subtle differences between the songs and their UK versions, but mostly it follows the UK formats. Something New ? I'll Cry Instead is a different edit stereo mix with an extra verse. And I Love Her loses double tracking on the vocal. If I Fell has the mono mix with a fixed vocal. The German I Want To Hold Your Hand was not released in the UK. For a change, they mostly used the UK stereo mixes for the stereo version. On Beatles 65, I'll Be Back is slower with more echo. I Feel Fine & She's A Woman are a different mix. For stereo, they mostly used the UK mixes or duophonic for singles. On The Early Beatles, the mono is built from the UK stereo masters, so different. For stereo, they used the UK stereo masters and rechannelled the mono single tracks. For Beatles VI, it was mostly the UK mono & stereo mixes throughout. On Rubber Soul, the stereo spread of some songs is different, particularly the double tracked vocals & the false start to I'm Looking Through You that is missing on the UK version. A different mix of Michelle is evident in the mono version too. The Word is wildly different to the UK stereo. Yesterday And Today has unique mixes of I'm Only Sleeping, Doctor Robert & And Your Bird Can Sing, as a result of Capitol being supplied with them months before the UK release. Mostly the mono mixes are derived from the UK stereo, but there are oddities like the mix of We Can Work It Out & a unique stereo mix of Day Tripper. Revolver was pretty much the same as the UK version but with three less songs. Enough of this waffle. Buy it. Listen to it & remind yourself why they are still the Greatest band of all time. Review by RTA The Beatles: The U.S. Albums Presented in mono and stereo, except where noted as stereo only CD1 \| Meet The Beatles! [Capitol Records: released January 10, 1964; 11 weeks at No. 1] CD2 \| The Beatles’ Second Album [Capitol Records: released April 10, 1964; five weeks at No. 1] CD3 \| A Hard Day’s Night (Original Motion Picture Soundtrack) [United Artists: released June 26, 1964; 14 weeks at No. 1] CD4 \| Something New [Capitol Records: released July 20