sell to us
WE BUY VINYL RECORD, CDS & MUSIC MEMORABILIA COLLECTIONS IN ASHGROVE MORAY
WHAT WE WANT..
We will travel to Ashgrove in Moray to buy your Rare Records, CDs and Pop Memorabilia and we are buying in all of the following local Ashgrove areas below.
All areas covered in Ashgrove in Moray.
To see a list of all the other towns in Moray we buy from click
here.
Here are just a few examples of what we buy :
Records – vinyl LPs, 7-inch & 12-inch singles, EPs, 33 RPM, 45 RPM, Picture Discs, Coloured Vinyls, Test Pressings, Acetates, Demos and Promo/Promotional Items
Compact Discs – CD Singles, CD/DVD singles, Limited Editions, 3” CD singles, Boxed Sets, 33 1/3 RPM, 78 RPM
Pop Memorabilia – Autographs, Guitars, Picks, Display Items, Photographs, Sheet Music, Vintage Clothing, handwritten lyrics, set lists, tour itinerary, stage props & costumes, paper goods, paintings, sketches, art, concert programmes, concert posters, tickets & stubbs, press kits, photographs, scrap books, Genesis Publications, Osiris, Hapshash & the Coloured Coat, Michael English, Ringo Or Robin, ROR, Apple Boutique items and anything interesting, unusual or downright weird.
Gold, Silver & Platinum Record Awards – Certified BPI, RIAA, IFPI or SNEP, authentic in-house variants, Grammy, Ivor Novello, ASCAP, publishing, plaques, shields, trophies, certificates & citations
Original 60s & 70s vinyl record pressings by The Beatles, John Lennon, Paul McCartney, George Harrison, Ringo Starr, Marc Bolan / T-Rex, David Bowie, Eric Clapton / Cream, Bob Dylan, Elvis Presley, Fleetwood Mac, Genesis, Jimi Hendrix, Led Zeppelin, Pink Floyd, Queen, Rolling Stones, Bruce Springsteen, Velvet Underground, The Who, Neil Young, Frank Zappa and thousands more always required.
Jazz vinyl LPs by Miles Davis, John Coltrane, Dave Brubeck, Paul Gonsalves, Herbie Hancock, Art Pepper, Tina Brooks, Thelonious Monk, Jackie McLean, Shelly Manne, Sonny Clark, Cannonball Adderley, Sonny Stitt, Zoot Simms, Kenny Drew, Duke Pearson, Dexter Gordon, Charlie Parker, Dizzy Gillespie, Don Ellis, Lennie Niehaus, Kenny Clarke, Francy Boland, Donald Byrd, Hank Mobley, Horace Silver
British Jazz vinyl LPs by Neil Ardley, Gordon Beck, Bill le Sage, Ronnie Ross, Ian Carr, Jeff Clyne, Tony Coe, Mike Cotton, Michael Garrick, Michael Gibbs, Joe Harriott, John Mayer, Tubby Hayes, Allan Holdsworth, John McLaughlin, Harold McNair, Dudley Moore, Dick Morrissey, Mike Osborne, Stan Tracey, Tony Oxley, Don Rendell, Ronnie Scott, Victor Feldman, John Surman, Keith Tippett, Julie Tippett, Mike Westbrook
Pop record collections by Abba, Kate Bush, Mariah Carey, Duran Duran, Kylie Minogue, Madonna, Pet Shop Boys, Spice Girls, U2
Punk, New Wave & Alternative collections by Blur, The Clash, The Cure, The Damned, Depeche Mode, The Jam / Paul Weller, Japan, David Sylvian, Joy Division, New Order, Nirvana, Oasis, Ramones, Sex Pistols, Siouxsie & The Banshees, The Smiths, Morrissey, U2, Bono, The Edge, XTC
Rock & Metal collections by AC/DC, Black Sabbath, Ozzy Osbourne, Bon Jovi, Deep Purple, Hawkwind, Iron Maiden, Metallica, Motorhead, Rush, ZZ Top
Genres - 60s, 70s, 80s, 90s, Pop, Beat, Rock, Progressive, Psychedelic, Freakbeat, Krautrock, Heavy Metal, Indie, Jazz (modern, be-bop, avant garde, Britjazz), Funk, Fusion, Blues, Soul, R&B, Punk, New Wave, Mod, 2-Tone, Ska, Reggae, Folk, Italo Disco, Library, Motown.
Labels - 4AD, A&M, ABC, Ace, Apple, Argo, Arista, Atco, Atlantic, Audio Lab, BBC, Bell, Bethlehem, Blue Horizon, Blue Note, Bronze, Brunswick, Buddah, Cadet, Capitol, Carnaby, Casablanca, CBS, Charisma, Chess, Chrysalis, Columbia, Contemporary, Coral, Cotillon, Dandelion, Dark Horse, Dawn, Decca, Deram, Disneyland, Dot, Dunhill, Elektra, Emarcy, Ember, EMI, Epic, Factory, Fantasy, Fontana, Geffen, Gordy, Harmony, Harvest, HMV, Immediate, Impulse!, Island, Kama Sutra, KPM, Liberty, London, Mainstream, Marmelade, MCA, Mercury, MGM, Monument, Motown, Neon, Odeon, Page One, Paramount, Parlophone, Philips, Planet, Polydor, Portrait, Prestige, Pye, Rare Earth, RCA, Regal Zonophone, Reprise, Ring O’, Riverside, Rolling Stone, Roulette, Savoy, Sire, Spark, Stax, Straight, Sue, Sun, Swan, Tamla, Threshold, Transatlantic, Tollie, Tower, Track, United Artists, Universal, Vanguard, Vee Jay, Vertigo swirl, Vertigo spaceship, Verve, Virgin, Volt, Warner, ZTT & etc. If we missed some, we probably need those too.
Swap your records for store credit.
Top Prices paid for MINT condition originals !
WHY SELL TO US?
Our experienced team of buyers has been sourcing records, CDs and music memorabilia collections for over 25 years - we like to keep things simple. We’re keen to purchase your quality collectables or second-hand vinyl records and CD's wherever you may be.
We will be pleased to quote for your mint condition items and we love to buy complete collections.
Sell to us with complete confidence and safety - we even refund your postage. If you have a large or valuable collection we can arrange to visit you.
No fees, no negative feedback, no excuses, no fuss. We buy outright and pay immediately.
We are a better than a Ashgrove high street record shop, independent record shop, record fair or any other place to sell your records in a Market, Town Centre or Ashgrove Shopping Centre, Center or Mall and we will pay more than a Ashgrove HMV, Our Price, Zavvi, Fopp, Virgin or Rough Trade shop. We buy unwanted Christmas / Xmas / Birthday gifts & presents from the 1960s, 1970s, 1980s, 1990s, 2000s and 2010s.
We are the world leader of online sellers & record dealers so make money and cash in on a collectable or blue chip record which has gathered dust for years
We also buy Records and CD collections in house clearances and from dead or deceased relatives in the North, South, East and West of Moray
Our UK office is located in Kent although we travel worldwide. We have international offices located in Las Vegas USA, and Hiroshima City, Japan. We travel extensively to buy rare items and large collections.
Call us first on the numbers below if you have a collection to sell, or e-mail a detailed description of the items you have. Don’t delay… you may be surprised at what your records are worth!
INSTANT CASH WAITING TODAY
Remember, we will travel to Ashgrove in Moray to buy your Rare Records, CDs and Pop Memorabilia and we are buying in all of the following local Ashgrove areas below.
CONTACT US
E-mail -
buyers@991.com
Call FREE in the UK 0800 345 7551 | From outside the UK +44 (0)1474 815099
Contact our buyers direct on the following numbers:
Syd Franklin | UK +44(0)1474 816047
Queen, 70's Rock, any other Rock and Jethro Tull a speciality.
Mark Evetts | UK +44(0)1474 816064
Hendrix, Who, Queen, 70s, 80s, 90s Pop, Rock, Indie, Alternative, Metal, Punk, New Wave & Football expert.
Richard Austin | UK +44 (0)1474 816052
Our resident hippy - Art Pepper to Frank Zappa, via Tori Amos & Hawkwind.
Julian Thomas | UK +44 (0)1474 816069
60s & 70s, Beatles, Stones, Zep, Jazz vinyl collections - British, Modern & Avant Garde.
Rich Wilson | UK +44 (0)1474 816059
Jazz, Funk, Disco - strange & unusual preferred.
In Japan you can contact:
Yashuhiko Yashiki Tel / Fax - 0081-82-245-8830
email -
Yashiki
Our postal address is:
991 Buyers
The Nine Nine One Building
Railway Sidings
Meopham
Kent DA13 0YS
England
A FEW OF THE MOST RECENT ITEMS WE WANT...
 | MADNESS The Rise & Fall (Rare 1982 UK 13-track white label vinyl LP
test pressing for the full album, with SEEZ-46-A1 / B1 scratched
matrices along with 'ARUN'. Including the singles Our House &
Tomorrow's Just Another Day. This example has plainwhite labels in a
plain card sleeve, with the original record company copy sheet, with
tracklisting, release date, publishers details and more. Obtained from
a former Stiff Records employee, the vinyl remains in a stunning
conditon with little to no signs of play) |
 | LUDOVICO EINAUDI Elements (2015 UK 12-track double vinyl
LP. Gatefold sleeve with individual credit/photo inners.
Another beautifully crafted modern classical album, from the
Italian composer and pianist. Although open, both sleeve and
vinyl are in Near Mint condition )
Tracklisting: A1 Petricor
Cello – Redi Hasa
Piano – Ludovico Einaudi
Synth, Bass, Electric Bass – Alberto Fabris
Violin – Daniel Hope
Violin, Viola – Federico Mecozzi
A2 Night
Bass, Synth – Alberto Fabris
Kalimba – Francesco Arcuri
Orchestra – Amsterdam Sinfonietta
Piano, Loops – Ludovico Einaudi
A3 Drop
Bass, Synth, Electric Bass – Alberto Fabris
Cabasa, Talking Drum, Marimba – Mauro Refosco
Cello – Redi Hasa
Electric Guitar, Acoustic Guitar, Piano – Ludovico Einaudi
B1 Four Dimensions
Bass, Synth – Alberto Fabris
Crotales – Antonio Caggiano
Electric Guitar, Piano – Ludovico Einaudi
Electronics – Robert Lippok
Marimba, Crotales, Triangle, Waterphone – Antonino Errera
Orchestra – Amsterdam Sinfonietta
Vibraphone – Fulvia Ricevuto
B2 Elements
Bass Drum – Antonino Errera
Bass, Synth, Electric Bass – Alberto Fabris
Daf, Violin – Mauro Durante
Orchestra – Amsterdam Sinfonietta
Piano, Electric Guitar – Ludovico Einaudi
Violin – Federico Mecozzi
B3 Whirling Winds
Cello – Redi Hasa
Orchestra – Amsterdam Sinfonietta
Piano – Ludovico Einaudi
Violin – Federico Mecozzi, Mauro Durante
C1 Twice
Cello – Redi Hasa
Electric Bass – Alberto Fabris
Kalimba – Francesco Arcuri
Piano, Acoustic Guitar, Electric Guitar – Ludovico Einaudi
Shaker, Marimba, Wood Block – Mauro Refosco
C2 Abc
Piano – Ludovico Einaudi
C3 Numbers
Bass Drum, Glockenspiel – Antonino Errera
Bells – Richard De Vaardt
Cello – Redi Hasa
Piano, Organ – Ludovico Einaudi
Violin, Viola – Federico Mecozzi
D1 Mountain
Electronics – Robert Lippok
Piano – Ludovico Einaudi
D2 Logos
Bass Drum, Marimba, Vibraphone – Antonino Errera
Bass, Synth – Alberto Fabris
Cello – Marco Decimo, Redi Hasa
Electric Guitar, Piano – Ludovico Einaudi
Orchestra – Amsterdam Sinfonietta
Violin – Mauro Durante
D3 Song For Gavin
Piano – Ludovico Einaudi
Phonographic Copyright ? – Ludovico Einaudi
Copyright © – Ludovico Einaudi
Licensed From – Ludovico Einaudi
Licensed To – Decca
Recorded At – Melo Fiorito, Dogliani |
 | BOB DYLAN Good As I Been To You (Original Master
Recording limited edition 13-track LP mastered by Krieg
Wunderlich at Mobile Fidelity Sound Lab on the Gain 2 Ultra
Analog System, specially plated and pressed on 180-gram
SuperVinyl from a formula developed and
manufactured by NEOTECH, cut at 33RPM. The under-heralded
1992 album, Dylan’s first solo acoustic album in nearly 30
years and first all-covers effort in nearly 20 years, can be
seen as a prophetic prelude to what has become the Nobel
Laureate’s celebrated late-career arc. It’s also an absorbing
continuation of the custom Dylan has embraced since he first
picked up a guitar. Presented in audiophile sound for the first
time. Picture sleeve individually gold-foil numbered and
limited to 5000 copies, factory sealed. Recommended)
Tracklisting: 1/2" / 30 IPS analog master to DSD 256 to analog console to lathe
Sourced from the original master tapes, pressed at RTI, housed in a Stoughton jacket, and strictly limited to 5,000 numbered copies, Mobile Fidelity's 180g SuperVinyl 33RPM LP of Good As I Been to You reveals the immediacy, detail, and stripped-down nature of recording sessions that took place in Dylan’s garage studio in California. Simple, raw, and unplugged, the record presents Dylan in peak form — and showcases a diversity of vocal phrasing, soulful chording, harmonica accents, and close-up ambience that on this reissue emerge like never before. As the first-ever audiophile edition of this almost-lost classic, this LP also benefits from SuperVinyl’s extraordinary properties: a nearly inaudible noise floor, superb groove definition, and dead-quiet surfaces among them.
Recorded and mixed by Micajah Ryan, and supervised by Debbie Gold, Good As I Been to You took shape at Dylan’s home shortly after the singer-songwriter completed sessions in Chicago with a full band. Unaccompanied, he again gravitated to existing works — in this case, traditional folk music — and, with Gold serving as a trusted advisor, performed the songs in multiple keys and tempos until he arrived at what he desired. That careful, determined albeit loose, organic approach emanates from this reissue, on which each note, movement, and space come across more directly, fully, and immediately than on the original formats. It helps draw a through-line to Another Side of Bob Dylan (1964) as well as the similarly themed follow-up, World Gone Wrong (1993) and immersive old-world storytelling of Tempest (2012) and Rough and Rowdy Ways (2020).
Well before Dylan made those renowned 21st century LPs, however, he needed to find a way out of a funk that — save for his 1989 collaboration with Daniel Lanois, Oh Mercy — followed him for years. As author Clinton Heylin reported Dylan admitting in 1997: “My influences have not changed — and any time they have done, the music goes off to a wrong place. That’s why I recorded two LPs of old songs, so I could personally get back to the music that’s true for me.”
Truth: Few, if any, concepts better encapsulate Good As I Been to You. It resonates with the same originality, honesty, resolve, and age- and time-defying relevance as the seminal Anthology of American Folk Music that fired Dylan’s imagination as a kid in small-town Minnesota and, later, per Greil Marcus’ That Old Weird America book, informed Dylan and the Band’s Basement Tapes sessions. This record also contains the type of music Dylan was playing during his acoustic sets at his period Never Ending Tour shows; within a year of the record’s release, Dylan would play half the album’s songs live.
As for those songs: Rife with strange mystery, common circumstance, and epic adventure, the stories appeal to our base instincts. Their themes — jealousy, temptation, sacrifice, love, revenge, identity, opportunity — operate on a fundamentally human level immune to trends, generations, or eras. They’re ancient and modern, serious and comical, open and disguised, simple and multi-layered. They talk of vengeance and justice (“Frankie & Albert”; “Jim Jones”), romance and tenderness (“Tomorrow Night,” “Froggie Went a Courtin’”), the troubled and trouble-free (“Hard Times,” “Sittin’ on Top of the World”). They lend voice to lovers scorned and freed (“Blackjack Davey”), the used and users (“Diamond Joe”), the powerful and powerless (“Arthur McBride,” “Canadee-I-O”), the followed and followers (“Little Maggie”). And akin to much of Dylan’s finest output, things are not always what they appear to be.
Spanning country, folk, sea shanty, bluegrass, and blues motifs, Good As I Been to You re-confirms Dylan’s position as an elite interpreter and sculptor — not of just structure but emotion. Dylan delivers the tunes as if he’s known them forever. He plays with a subtle sense of mischievousness and retains a largely upbeat demeanor; his eyes seemingly twinkle as he sings and picks. His guitar serves as the guidepost for shuffles, boogies, ballads, and mess-arounds while his innate feel for each specific arrangement and melody helps inform pacing, tone, attack.
Like a great author, he understands the importance of adhering to concision, luring an audience, holding their attention, and maximizing the impact of details, actions, and unexpected turns. Though already coarse and ragged, his voice feels ideal for the subject matter and his phrasing — from the clever ways he stretches syllables to underline meanings on the surprise twists of “Canadee-I-O” to the sheer delight he gets from singing “rowdy-dow-dow” on the protest song “Arthur McBride” — outstanding.
“The sound? Authentic.”
—Ken Kessler, Hi-Fi News, 90% rating
MoFi SuperVinyl
Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound devised. Expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a carbonless dye (hold the disc up to the light and see) and produces ultra-quiet surfaces. This high-definition formula also allows for the creation of clean grooves that are virtually indistinguishable from the original lacquer.
Side One:
Frankie & Albert
Jim Jones
Blackjack Davey
Canadee-I-O
Sittin’ on Top of the World
Little Maggie
Hard Times
Side Two:
Step It Up and Go
Tomorrow Night
Arthur McBride
You’re Gonna Quit Me
Diamond Joe
Froggie Went a Courtin' |
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