sell to us

WE BUY VINYL RECORD, CDS & MUSIC MEMORABILIA COLLECTIONS IN PLAIN SPOT NOTTINGHAMSHIRE


WHAT WE WANT..


We will travel to Plain Spot in Nottinghamshire to buy your Rare Records, CDs and Pop Memorabilia and we are buying in all of the following local Plain Spot areas below.

Including all of the Nottinghamshire boroughs and district areas Ashfield, Bassetlaw, Broxtowe, Gedling, Mansfield, Newark and Sherwood, Nottingham, Rushcliffe.

To see a list of all the other towns in Nottinghamshire we buy from click here.

Here are just a few examples of what we buy :

Records – vinyl LPs, 7-inch & 12-inch singles, EPs, 33 RPM, 45 RPM, Picture Discs, Coloured Vinyls, Test Pressings, Acetates, Demos and Promo/Promotional Items Compact Discs – CD Singles, CD/DVD singles, Limited Editions, 3” CD singles, Boxed Sets, 33 1/3 RPM, 78 RPM

Pop Memorabilia – Autographs, Guitars, Picks, Display Items, Photographs, Sheet Music, Vintage Clothing, handwritten lyrics, set lists, tour itinerary, stage props & costumes, paper goods, paintings, sketches, art, concert programmes, concert posters, tickets & stubbs, press kits, photographs, scrap books, Genesis Publications, Osiris, Hapshash & the Coloured Coat, Michael English, Ringo Or Robin, ROR, Apple Boutique items and anything interesting, unusual or downright weird.

Gold, Silver & Platinum Record Awards – Certified BPI, RIAA, IFPI or SNEP, authentic in-house variants, Grammy, Ivor Novello, ASCAP, publishing, plaques, shields, trophies, certificates & citations

Original 60s & 70s vinyl record pressings by The Beatles, John Lennon, Paul McCartney, George Harrison, Ringo Starr, Marc Bolan / T-Rex, David Bowie, Eric Clapton / Cream, Bob Dylan, Elvis Presley, Fleetwood Mac, Genesis, Jimi Hendrix, Led Zeppelin, Pink Floyd, Queen, Rolling Stones, Bruce Springsteen, Velvet Underground, The Who, Neil Young, Frank Zappa and thousands more always required.

Jazz vinyl LPs by Miles Davis, John Coltrane, Dave Brubeck, Paul Gonsalves, Herbie Hancock, Art Pepper, Tina Brooks, Thelonious Monk, Jackie McLean, Shelly Manne, Sonny Clark, Cannonball Adderley, Sonny Stitt, Zoot Simms, Kenny Drew, Duke Pearson, Dexter Gordon, Charlie Parker, Dizzy Gillespie, Don Ellis, Lennie Niehaus, Kenny Clarke, Francy Boland, Donald Byrd, Hank Mobley, Horace Silver

British Jazz vinyl LPs by Neil Ardley, Gordon Beck, Bill le Sage, Ronnie Ross, Ian Carr, Jeff Clyne, Tony Coe, Mike Cotton, Michael Garrick, Michael Gibbs, Joe Harriott, John Mayer, Tubby Hayes, Allan Holdsworth, John McLaughlin, Harold McNair, Dudley Moore, Dick Morrissey, Mike Osborne, Stan Tracey, Tony Oxley, Don Rendell, Ronnie Scott, Victor Feldman, John Surman, Keith Tippett, Julie Tippett, Mike Westbrook

Pop record collections by Abba, Kate Bush, Mariah Carey, Duran Duran, Kylie Minogue, Madonna, Pet Shop Boys, Spice Girls, U2

Punk, New Wave & Alternative collections by Blur, The Clash, The Cure, The Damned, Depeche Mode, The Jam / Paul Weller, Japan, David Sylvian, Joy Division, New Order, Nirvana, Oasis, Ramones, Sex Pistols, Siouxsie & The Banshees, The Smiths, Morrissey, U2, Bono, The Edge, XTC

Rock & Metal collections by AC/DC, Black Sabbath, Ozzy Osbourne, Bon Jovi, Deep Purple, Hawkwind, Iron Maiden, Metallica, Motorhead, Rush, ZZ Top

Genres - 60s, 70s, 80s, 90s, Pop, Beat, Rock, Progressive, Psychedelic, Freakbeat, Krautrock, Heavy Metal, Indie, Jazz (modern, be-bop, avant garde, Britjazz), Funk, Fusion, Blues, Soul, R&B, Punk, New Wave, Mod, 2-Tone, Ska, Reggae, Folk, Italo Disco, Library, Motown.

Labels - 4AD, A&M, ABC, Ace, Apple, Argo, Arista, Atco, Atlantic, Audio Lab, BBC, Bell, Bethlehem, Blue Horizon, Blue Note, Bronze, Brunswick, Buddah, Cadet, Capitol, Carnaby, Casablanca, CBS, Charisma, Chess, Chrysalis, Columbia, Contemporary, Coral, Cotillon, Dandelion, Dark Horse, Dawn, Decca, Deram, Disneyland, Dot, Dunhill, Elektra, Emarcy, Ember, EMI, Epic, Factory, Fantasy, Fontana, Geffen, Gordy, Harmony, Harvest, HMV, Immediate, Impulse!, Island, Kama Sutra, KPM, Liberty, London, Mainstream, Marmelade, MCA, Mercury, MGM, Monument, Motown, Neon, Odeon, Page One, Paramount, Parlophone, Philips, Planet, Polydor, Portrait, Prestige, Pye, Rare Earth, RCA, Regal Zonophone, Reprise, Ring O’, Riverside, Rolling Stone, Roulette, Savoy, Sire, Spark, Stax, Straight, Sue, Sun, Swan, Tamla, Threshold, Transatlantic, Tollie, Tower, Track, United Artists, Universal, Vanguard, Vee Jay, Vertigo swirl, Vertigo spaceship, Verve, Virgin, Volt, Warner, ZTT & etc. If we missed some, we probably need those too.

Swap your records for store credit.

Top Prices paid for MINT condition originals !

WHY SELL TO US?


Our experienced team of buyers has been sourcing records, CDs and music memorabilia collections for over 25 years - we like to keep things simple. We’re keen to purchase your quality collectables or second-hand vinyl records and CD's wherever you may be.

We will be pleased to quote for your mint condition items and we love to buy complete collections.

Sell to us with complete confidence and safety - we even refund your postage. If you have a large or valuable collection we can arrange to visit you.

No fees, no negative feedback, no excuses, no fuss. We buy outright and pay immediately.

We are a better than a Plain Spot high street record shop, independent record shop, record fair or any other place to sell your records in a Market, Town Centre or Plain Spot Shopping Centre, Center or Mall and we will pay more than a Plain Spot HMV, Our Price, Zavvi, Fopp, Virgin or Rough Trade shop. We buy unwanted Christmas / Xmas / Birthday gifts & presents from the 1960s, 1970s, 1980s, 1990s, 2000s and 2010s.

We are the world leader of online sellers & record dealers so make money and cash in on a collectable or blue chip record which has gathered dust for years

We also buy Records and CD collections in house clearances and from dead or deceased relatives in the North, South, East and West of Nottinghamshire


Our UK office is located in Kent although we travel worldwide. We have international offices located in Las Vegas USA, and Hiroshima City, Japan. We travel extensively to buy rare items and large collections.

Call us first on the numbers below if you have a collection to sell, or e-mail a detailed description of the items you have. Don’t delay… you may be surprised at what your records are worth!

INSTANT CASH WAITING TODAY


Remember, we will travel to Plain Spot in Nottinghamshire to buy your Rare Records, CDs and Pop Memorabilia and we are buying in all of the following local Plain Spot areas below.

Including all of the Nottinghamshire boroughs and district areas Ashfield, Bassetlaw, Broxtowe, Gedling, Mansfield, Newark and Sherwood, Nottingham, Rushcliffe.

CONTACT US


E-mail - buyers@991.com

Call FREE in the UK 0800 345 7551 | From outside the UK +44 (0)1474 815099

Contact our buyers direct on the following numbers:

Syd Franklin | UK +44(0)1474 816047
Queen, 70's Rock, any other Rock and Jethro Tull a speciality.

Mark Evetts | UK +44(0)1474 816064
Hendrix, Who, Queen, 70s, 80s, 90s Pop, Rock, Indie, Alternative, Metal, Punk, New Wave & Football expert.

Richard Austin | UK +44 (0)1474 816052
Our resident hippy - Art Pepper to Frank Zappa, via Tori Amos & Hawkwind.

Julian Thomas | UK +44 (0)1474 816069
60s & 70s, Beatles, Stones, Zep, Jazz vinyl collections - British, Modern & Avant Garde.

Rich Wilson | UK +44 (0)1474 816059
Jazz, Funk, Disco - strange & unusual preferred.

In Japan you can contact:
Yashuhiko Yashiki Tel / Fax - 0081-82-245-8830
email - Yashiki

Our postal address is:

991 Buyers
The Nine Nine One Building
Railway Sidings
Meopham
Kent DA13 0YS
England

A FEW OF THE MOST RECENT ITEMS WE WANT...


AMY WINEHOUSE Frank (20th Anniversary 2024 UK/EU limited edition double album 2-LP Picture Disc Edition, presenting her 2003 debut album across two picture disc records for the very first time. The disc artwork uses the originalsleeve imagery, plus images by Valerie Phillips from the original artwork shoot on the second record. Housed inside a gatefold die-cut display picture sleeve, hype sticker & factory sealed)

Tracklisting: Side 1 1. Intro / Stronger Than Me 2. You Sent Me Flying / Cherry 3. Know You Now Side 2 1. Fuck Me Pumps 2. I Heard Love Is Blind 3. Moody's Mood For Love / Teo Licks 4. (There Is) No Greater Love 5. In My Bed Side 3 1. Take The Box 2. October Song 3. What Is It About Men 4. Help Yourself Side 4 1. Amy Amy Amy / Outro
THE FUTURE SOUND OF LONDON Dead Cities (2021 UK limited edition 13-track 2-LP set pressed on audiophile quality 180g vinyl, gatefold picture sleeve with inners. Long deleted fourth album from the British electronica/dance duo gets a welcome reissue, includes We Have Explosive and My Kingdom. The sleeve, inners and vinyl are all in Near Mint condition)

Tracklisting: 1. Herd Killing 2. Dead Cities 3. Her Face Forms In Summertime 4. We Have Explosive 5. Everyone In The World Is Doing Something Without Me 6. My Kingdom/Max 7. Antique Toy 8. Quagmire 9. In A State Of Permanent Abyss 10. Glass 11. Yage 12. Vit Drowning/Through Your Gills I Breathe 13. First Death In The Family
BLONDIE Against The Odds 1974-1982 (Deluxe 4LP Edition UK/EU limited edition box set, the first band-authorized rarities collection comprising 52-tracks from the classic era spread across four vinyl LPs, and featuring 36 previously unreleased tracks remastered from the original analogue tapes. Complete with a 112-page hardback monograph book with liner notes, oral history, essays and an extensive selection of rare & previously unplublised photographs, taoe boxes and other ephemera. Housed inside a stylish metallic-finish slipcase box. The box displays only light wear, whilst the vinyl and content remains in a 'near mint' condition)

Tracklisting: SUMMARY There's a certain un-assuming barn just outside Woodstock, New York. It's easy to picture; the deep mythology of pop music history assures that much. For nearly two decades, the bulk of Blondie's audio and visual archive sat inside. One hundred reel-to-reel tapes, half a dozen cassettes, a few storage tubs crammed with records, bits of promotional flotsam, flyers, a stray Warhol print, and mirrored dressing room signage from four sold-out January 1980 nights at London's Hammersmith Odeon. All of it lay silent through twenty humid summers, twenty frigid winters, and 20,000 rodents. There were knives collected in Asia and sex worker advertisements pilfered from the UK's red telephone boxes of the late 1970s. In a corner, a dust-caked RIAA-certified gold record for Eat To The Beat reclined against a wall, its protective glass scarred by a bullet hole.“Iggy and I were shooting guns at a wall in my basement one night,” guitarist Chris Stein told us. “This was a casualty.” From this chaotic hoard of ephemera, this long-gestating project was born. Over the years, Blondie's many partner record companies have done an exemplary job archiving the band's recorded legacy, given the miles it's logged and the oceans it's had to cross. From Larry Uttal's Private Stock Records to Terry Ellis and Chris Wright's Chrysalis, which was absorbed by Capitol and then Universal, the band's reels have been moved, transferred, baked, re-boxed, remixed, and barcoded more than a few times. We pored over every foot of magnetic tape and, thanks to our brand new 24-bit, 192KHz transfers, have expanded the dynamic range of Blondie's six LPs. We've scoured the earth for era-appropriate photos, pic sleeves, lyrics sheets, fan club newsletters, postcards, jukebox strips, and even eight-track tapes. There will always be more to find. Whether it's a mislabeled cassette tape squirrelled away in a New Jersey garage, a previously unknown Thai 45 variant, or a roll of film excavated at the Long Beach flea market, slivers of Blondie will continue to poke into our collective unconscious until there ceases to be any consciousness to poke. What the seven members of Blondie set to tape over those first eight years remains among the most timeless music of its era, or any era. This is not hyperbole. Walk into a grocery store and Rapture fills the air. Spend an hour with any classic rock, '80s throwback, LITE FM easy listening, or rockin' oldies station and you will rediscover Heart of Glass. Watch any given documentary on the birth of punk or hip hop, read any “Best Albums of All Time” list, and the stark three-color imagery of Parallel Lines will undoubtedly flash by. Visit any sports arena in the world and count the moments before you hear Call Me. Blondie has transcended the realms of mere bands, evolving out of pop and punk to become a vital strand of American music's core DNA. Deluxe Edition 4LP Box LP 1 ‘Out In The Streets’ Side A 1. Out In The Streets (1974) 2. The Disco Song 3. Sexy Ida 4. Platinum Blonde 5. The Thin Line 6. Puerto Rico 7. Out In The Streets (1975) Side B 1. Nameless (Home Tape) 2. Mr. Sightseer 3. Sunday Girl (Home Tape) 4. Theme From Topkapi (Home Tape) 5. The Hardest Part (Home Tape) 6. Ring Of Fire (Home Tape) LP 2 'Plaza Sound' Side A 1. X Offender (Intro) 2. X Offender (Private Stock Single) 3. In The Sun (Private Stock Single) 4. Little Girl Lies (Private Stock Mix) 5. In The Flesh (Extended Intro) 6. A Shark In Jets Clothing (Take 2) 7. Kung Fu Girls (Take 8) 8. Scenery Side B 1. Denis (Terry Ellis Mix) 2. Moonlight Drive 3. Bermuda Triangle Blues - Flight 45 (Take 1) 4. I Didn't Have The Nerve To Say No (Take 1) 5. I'm On E (Take 2) 6. Detroit 442 (Take 2) 7. Poets Problem LP 3 'Parallel Beats' Side A 1. Once I Had A Love (Mike Chapman Demo) 2. Sunday Girl (French Version) 3. I'll Never Break Away From This Heart Of Mine (Pretty Baby) 4. Hanging On The Telephone (Mike Chapman Demo) 5. Will Anything Happen (Instrumental) 6. Underground Girl Side B 1. Call Me 2. Spaghetti Song (Atomic Part 2) 3. Die Young Stay Pretty (Take 1) 4. Union City Blue (Instrumental) 5. Llámame LP 4 'Coca-Cola' Side A 1. I Love You Honey, Give Me A Beer (Go Through It) 2. Live It Up (Giorgio Moroder Demo) 3. Angels on the Balcony (Giorgio Moroder Demo) 4. Tide Is High (Demo) 5. Susie & Jeffrey Side B 1. Rapture (Disco Version) 2. Autoamerican Ad 3. Yuletide Throwdown ...
FRANK ZAPPA Zappa '88: The Last US Show (2021 UK/EU limited edition 4-LP box set pressed on 180gram Purple Vinyl, 30-tracks of joy from 'The Best Band You Never Heard In Your Life', recorded at the Nassau Coliseum, Long Island, New York. Mostly unreleased and newly mixed and mastered from the original multi-track tapes. Featuring the highly sought-after The Beatles Medley with bawdy lyrics, a horn-laden cover of I Am The Walrus, and Stairway To Heaven. Picture box with lift-off lid, factory sealed and hype stickered. Highly recommended)

Tracklisting: As Travers writes in the liner notes, “Start with the fulcrum of the 1981-1984 touring bands (Robert, Scott & Chad), bring back Ike Willis, add the Synclavier digital workstation, a 5-piece horn section with multi-instrumentalist Mike Keneally and you have what FZ famously described as “The Best Band You Never Heard In Your Life.” While saying “never heard” might have been a bit of hyperbole, it wasn’t far off as the short-lived band (four months of rehearsal in 1987/1988, followed by a tour from February through June 1988) only played a few dozen shows on the East Coast and Europe before disbanding. Nonetheless, the shows they did play together were electrifying and a masterclass in musicianship With Zappa on lead guitar, vocals, and wielding his new obsession the Synclavier, he led the proceedings through a career-spanning set, backed by a stellar cast of veteran band members and newly added members: Mike Keneally (guitar, synth, vocals), Scott Thunes (electric bass, Minimoog), Ike Willis (rhythm guitar, synth, vocals), Chad Wackerman (drums, electronic percussion), Ed Mann (vibes, marimba, electronic percussion), Robert Martin (keyboards, vocals) and the cracking horn section of Walt Fowler (trumpet, flugel horn, synth), Bruce Fowler (trombone), Paul Carman (alto, soprano and baritone sax), Albert Wing (tenor sax) and Kurt McGettrick (baritone and bass sax, contrabass clarinet). The band prepped nearly 100 songs and the sets were wide ranging, spanning tunes from the first Mothers of Invention albums, but with characteristically updated and often times ever-evolving arrangements (“I Ain’t Got No Heart,” “Love Of My Life,” “Who Needs The Peace Corps?”), to new compositions created for the ‘88 tour (“Jesus Thinks You’re A Jerk” and “When The Lie’s So Big”) as well as classical compositions (Bartók, Ravel, Stravinsky) that Zappa liked to play to expose his audiences to music he appreciated. In addition to the inclusion of the 5-piece horn section and it being Keneally’s only tour, the concerts also included extensive use of sampling through the then current machine, the Synclavier, which Zappa took on the road for the first time, as well as percussionists Mann and Wackerman’s use of electronic sounds in their set ups. Zappa ’88: The Last U.S. Show includes all of this and many more highlights such as fan favorites, “Peaches In Regalia,” “The Black Page” “Inca Roads,” “Sharleena” “Sofa #1” and “Pound For A Brown.” It also includes a horn-laden cover of The Beatles’ “I Am The Walrus,” and the first official release of the highly sought after “The Beatles Medley,” which features the band performing the music of The Beatles’ “Norwegian Wood,” “Lucy In The Sky With Diamonds” and “Strawberry Fields Forever” with the lyrics completely changed to reflect the then-recent sex scandal of televangelist Jimmy Swaggart. The bawdy lyrics poke fun at the hypocritical minister and was part of Zappa’s agenda to demystify televangelists. Just how Zappa felt it was important to rail against toxically prude self-appointed culture protectors and whatever hypocrisy or hypocrite rankled him that day, he was also a motivator of positive action, passionate about causes, especially voting rights, making it his mission to get his audiences to register to vote. With a presidential election looming, Zappa offered voter registration on the tour, aided by The League of Women Voters. Fans were encouraged to vote before the show or during a special 20-minute intermission in the middle of the two-hour plus concert, which would start with Zappa triggering the Synclavier to play a piece of music. In Uniondale it was “One Man, One Vote.” Notably, the version here is a different mix than the studio version released on Frank Zappa Meets The Mothers Of Prevention. Zappa 88: The Last U.S. Show kicks off with Zappa extolling the importance of voting and encouraging the unregistered to sign up at the show by registering someone live on stage. It was followed by a representative from Governor Mario Cuomo’s office reading a message congratulating “Mr. Zappa for the important work you are doing encouraging your audiences and others to register and vote.” “Sadly after the European run was over,” as Travers pens in the liners, “Frank Zappa chose to disband the group and cancel the rest of the tour, reportedly forfeiting $400,000.00 in revenue and depriving additional audiences the opportunity to witness how special this group really was. With all of the time and money spent to prepare and promote the tour, not to mention the potential within the talented band and crew, now in 2021, it’s an even more historic loss considering FZ was to never tour again.” Fortunately, Zappa’s final U.S. show, like so many others of his, was documented and can now be experienced in its glory more than three decades later.

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