sell to us
WE BUY RECORDS, CDS, and MUSIC MEMORABILIA COLLECTIONS IN VICTORVILLE CALIFORNIA
WHAT WE WANT
We will travel to Victorville in California to buy your Rare Records, CDs and Pop Memorabilia and we are buying in all of the following local Victorville areas below.
Including all of the California boroughs and district areas Orange County, Inland Empire.
To see a list of all the other towns in California we buy from click
here.
Here are just a few examples of what we buy :
Records – vinyl LPs, 7-inch and 12-inch singles, EPs, 33 RPM, 45 RPM, Picture Discs, Colored Vinyl, Test Pressings, Acetates, Demos and Promo/Promotional Items
Compact Discs – CD Singles, CD/DVD singles, Limited Editions, 3" CD singles, Boxed Sets
Pop Memorabilia – Genuine Autographs, Display Items, Photographs, Tour Clothing, original/authenticated handwritten lyrics, tour itineraries, stage props and costumes, paper goods, concert programs, collectable band posters, press kits, photographs, Genesis Publications, the interesting, the unusual and sometimes the downright weird
Gold, Silver and Platinum Record Awards – Certified BPI, RIAA, IFPI or SNEP, authentic in-house variants, Grammy, Ivor Novello, ASCAP, publishing, plaques, shields, trophies, certificates and citations with proper provenance
Original 60s and 70s vinyl record pressings by The Beatles, John Lennon, Paul McCartney, George Harrison, Ringo Starr, Marc Bolan / T-Rex, David Bowie, Eric Clapton / Cream, Bob Dylan, Elvis Presley, Fleetwood Mac, Genesis, Jimi Hendrix, Led Zeppelin, Pink Floyd, Queen, Rolling Stones, Bruce Springsteen, Velvet Underground, The Who, Neil Young, Frank Zappa… and thousands more always required!
Jazz original or audiophile pressing vinyl LPs by Miles Davis, John Coltrane, Dave Brubeck, Paul Gonsalves, Herbie Hancock, Art Pepper, Tina Brooks, Thelonious Monk, Jackie McLean, Shelly Manne, Sonny Clark, Cannonball Adderley, Sonny Stitt, Zoot Simms, Kenny Drew, Duke Pearson, Dexter Gordon, Charlie Parker, Dizzy Gillespie, Don Ellis, Lennie Niehaus, Kenny Clarke, Francy Boland, Donald Byrd, Hank Mobley, Horace Silver...
British Jazz vinyl LPs by Neil Ardley, Gordon Beck, Bill le Sage, Ronnie Ross, Ian Carr, Jeff Clyne, Tony Coe, Mike Cotton, Michael Garrick, Michael Gibbs, Joe Harriott, John Mayer, Tubby Hayes, Allan Holdsworth, John McLaughlin, Harold McNair, Dudley Moore, Dick Morrissey, Mike Osborne, Stan Tracey, Tony Oxley, Don Rendell, Ronnie Scott, Victor Feldman, John Surman, Keith Tippett, Julie Tippett, Mike Westbrook...
Pop record collections by Abba, Kate Bush, Mariah Carey, Duran Duran, Kylie Minogue, Madonna, Pet Shop Boys, U2, and more...
Punk, New Wave and Alternative collections by The Clash, The Cure, Depeche Mode, The Jam/Paul Weller, Japan/David Sylvian, Joy Division/New Order, Nirvana, Oasis, Ramones, Sex Pistols, The Smiths/Morrissey, U2/related, and more...
Rock & Metal collections by AC/DC, Black Sabbath, Ozzy Osbourne, Bon Jovi, Deep Purple, Iron Maiden, Metallica, Motorhead, Rush, Tool, and more...
Genres - 60s, 70s, 80s, 90s, Pop, Beat, Rock, Progressive, Psychedelic, Freakbeat, Krautrock, Heavy Metal, Indie, Jazz (modern, be-bop, avant garde, Britjazz), Funk, Fusion, Blues, Soul, R&B, Punk, New Wave, Mod, 2-Tone, Ska, Reggae, Folk, Italo Disco, Library, Motown
Labels - 4AD, A&M, ABC, Ace, Apple, Argo, Arista, Atco, Atlantic, Audio Lab, BBC, Bell, Bethlehem, Blue Horizon, Blue Note, Bronze, Brunswick, Buddah, Cadet, Capitol, Carnaby, Casablanca, CBS, Charisma, Chess, Chrysalis, Columbia, Contemporary, Coral, Cotillon, Dandelion, Dark Horse, Dawn, Decca, Deram, Disneyland, Dot, Dunhill, Elektra, Emarcy, Ember, EMI, Epic, Factory, Fantasy, Fontana, Geffen, Gordy, Harmony, Harvest, HMV, Immediate, Impulse!, Island, Kama Sutra, KPM, Liberty, London, Mainstream, Marmelade, MCA, Mercury, MGM, Monument, Motown, Neon, Odeon, Page One, Paramount, Parlophone, Philips, Planet, Polydor, Portrait, Prestige, Pye, Rare Earth, RCA, Regal Zonophone, Reprise, Ring O’, Riverside, Rolling Stone, Roulette, Savoy, Sire, Spark, Stax, Straight, Sue, Sun, Swan, Tamla, Threshold, Transatlantic, Tollie, Tower, Track, United Artists, Universal, Vanguard, Vee Jay, Vertigo swirl, Vertigo spaceship, Verve, Virgin, Volt, Warner, ZTT... if we missed some, we probably need those, too...
Swap your records for store credit.
Top Prices paid for MINT condition originals! Still in original seal from new a plus!
WHY SELL TO US?
Our experienced team of buyers has been sourcing records, CDs and music memorabilia collections for over 25 years - we like to keep things simple. We"re keen to purchase your quality collectables or undamaged second-hand vinyl records and CD"s wherever you may be.
We will be pleased to quote for your mint condition items, and we are open to negotiating for complete collections.
Sell to us with complete confidence and safety - we even refund your postage. If you have a large or valuable collection, we can arrange to visit you.
No fees, no negative feedback, no excuses, no fuss. We buy outright and pay immediately.
We are the world leader in the online seller/dealer platform, so why not cash in on your collectable or blue chip record if it is presently only gathering dust?
We have international representatives located in Las Vegas and Hiroshima City, Japan, and our home office is located in Kent, England. We travel extensively to buy rare items and large collections.
Feel free to e-mail us with a detailed description of the items you have to offer -- you may be surprised at what your records are worth!
We are a better than a Victorville high street record shop, independent record shop, record fair or any other place to sell your records in a Market, Town Centre or Victorville Shopping Centre, Center or Mall and we will pay more than a Victorville HMV, Our Price, Zavvi, Fopp, Virgin or Rough Trade shop. We buy unwanted Christmas / Xmas / Birthday gifts & presents from the 1960s, 1970s, 1980s, 1990s, 2000s and 2010s.
We are the world leader of online sellers & record dealers so make money and cash in on a collectable or blue chip record which has gathered dust for years
We also buy Records and CD collections in house clearances and from dead or deceased relatives in the North, South, East and West of California
Our UK office is located in Kent although we travel worldwide. We have international offices located in Las Vegas USA, and Hiroshima City, Japan. We travel extensively to buy rare items and large collections.
Call us first on the numbers below if you have a collection to sell, or e-mail a detailed description of the items you have. Don’t delay… you may be surprised at what your records are worth!
INSTANT CASH WAITING TODAY
Remember, we will travel to Victorville in California to buy your Rare Records, CDs and Pop Memorabilia and we are buying in all of the following local Victorville areas below.
Including all of the California boroughs and district areas Orange County, Inland Empire.
CONTACT US
E-mail -
USA@991.com
Our UK Home Office is:
991 Buyers
5 Railway Sidings
Meopham, Kent DA13 0YS
England
A FEW OF THE MOST RECENT ITEMS WE WANT...
 | DANZIG Danzig (Rare 1988 US 10-track vinyl LP, the debut album
from the American heavy metal band, housed in a glossy gatefold
picture sleeve without any logo, with the original lyric printed inner.
The sleeve remains in the open factory shrink and retains an import
sticker, as well as the rarely seen 'Danzig' and 'Rick Rubin' credit title
sticker! The shrink has a worn somewhat on the corners, thusly the
exposed opening edge and corners show a little general wear. The
vinyl reveals little of its age with only the odd faint cosmetic hairline
and minimal signs of play. A now hard to find original pressing!
DEF24208)
Tracklisting: 1. Twist Of Cain
2. Not Of This World
3. She Rides
4. Soul On Fire
5. Am I Demon
6. Mother
7. Possession
8. End Of Time
9. The Hunter
10. Evil Thing |
 | DURAN DURAN Girls On Film 1979 Demo (2016 US limited
edition 4-track 12" EP pressed on Red Vinyl featuring their rare
debut recordings with the original version of Girls On Film
recorded in September 1979 plus See Me Repeat Me,
Reincarnation and Working The Steel. Picture sleeve with two
hype stickers, factory sealed)
Tracklisting: A1. See Me Repeat Me 3:54
A2. Reincarnation 2:58
B1. Girls On Film 3:04
B2. Working The Steel 3:24 |
 | SANTANA Lotus (Original Master Recording limited
edition 23-track triple album 3-LP mastered by Krieg
Wunderlich at Mobile Fidelity Sound Lab on the Gain 2 Ultra
Analog System, specially plated and pressed on 180-gram
High Definition Vinyl across six sides at 33RPM. Featuring rich
tones, smooth dynamics, excellent separation, deep
soundstages, and involving presence, this reissue pays
tribute to both the virtuosic lineup and the indispensable
fusion of Latin- and Afro-Cuban-influenced jazz, rock,
psychedelia, R&B, and blues. The complexity of the spiritual
passages, demands of the crescendos, delicacy of the calm
transitions, electricity of the solos: everything is rendered
with superb balance free of harshness, compression, and
fatiguing peaks that would otherwise distract from the
presentations at hand. Triple gatefold picture sleeve
individually gold-foil numbered & factory sealed. Strictly
limited to 5000 copies!)
Tracklisting: One of the Most Exhilarating Live Albums Ever Released: Santana’s Lotus Documents Indispensable 1973 Performances Distinguished by Passionate Soulfulness, Chemistry, and Inventiveness
Mobile Fidelity’s 180g 33RPM 3LP Set Features Reference Sound and Deluxe Trifold Packaging Faithful to That of the Original Japanese Import: Strictly Limited to 5,000 Numbered Copies, Includes Four Photo Inserts and Two Fold-Out Posters
1/2" / 15 IPS / four-track analog master to two-track DSD 256 to analog console to lathe
The bizarre legacy of Lotus transcends its status as both the definitive onstage document of Santana’s career and one of the most spectacular live albums ever released. Originally issued in 1974, the triple LP contains exhilarating performances recorded at two shows in early July 1973 at the 2400-seat Osaka Kosei Nenkin Kaikan concert hall. It bears witness to the eight-piece collective playing with a chemistry, inventiveness, cohesiveness, and soulfulness no other Santana lineup would ever surpass. Lotus also remained the only completely live Santana album for almost two decades — and took nearly as long to see domestic release.
Sourced from the original master tapes, pressed at Fidelity Record Pressing, strictly limited to 5,000 numbered copies, and housed in deluxe trifold packaging faithful to that of the original pressing, Lotus benefits from reference audiophile treatment on Mobile Fidelity’s 180g 3LP set. Featuring rich tones, smooth dynamics, excellent separation, deep soundstages, and involving presence, this reissue pays tribute to both the virtuosic lineup and the indispensable fusion of Latin- and Afro-Cuban-influenced jazz, rock, psychedelia, R&B, and blues. The complexity of the spiritual passages, demands of the crescendos, delicacy of the calm transitions, electricity of the solos: everything is rendered with superb balance free of harshness, compression, and fatiguing peaks that would otherwise distract from the presentations at hand.
You also get a generous taste of the ambience of the venue, and a definite sense of the interplay and improvisation that transpired as much by feel as by architectural necessity. The weight of the bass, extension of the highs, punch of the mids, texture and reverberation of the percussion: Mobile Fidelity’s organic version of Lotus stakes an immediate claim to demonstration-disc status of how a live recording should sound. And look. Paying homage to the original, this reissue includes four double-sided flat photo inserts and two 24 x 36-inch double-sided fold-out posters. (Note: It does not have an obi strip or red Japanese insert.)
Exclusively released in Japan before it slowly made it across the seas to the United States as a pricey import, Lotus became a hot topic among in-the-know connoisseurs. Hip record stores struggled to keep the record in the bins. Italy, New Zealand, and Europe got their own versions of the in-demand set before the end of 1975. American listeners weren’t so lucky. To satisfy their fix, they had to turn to the imports.
The same year Stateside fans began paying a premium to hear the two hours of magic on Lotus, CBS released Santana’s Greatest Hits — an introductory compilation that went on to sell more than seven million copies. Another 17 years passed before Lotus hit American shelves as a domestic set in the form of two-CD and two-cassette editions. It didn’t become available on domestic vinyl until 2013 on a version that has long been out of print.
In addition to the magnificent instrumental prowess and daring of the arrangements, the historical importance of Lotus has only grown as time — and Santana — evolved. Five members of the Caravanserai Tour octet — percussionists/drummers Michael Shrieve and Jose “Chepito” Areas, vocalist Leon Thomas, keyboardist Richard Kermode, bassist Doug Rauch — departed by the end of 1974. As such, along with the late 1973 studio effort Welcome, Lotus stands as the high-water mark of Santana’s early and mid-70s fusion period before the lineup changed and the group transitioned into more experimental territory.
Featuring seven previously unreleased tracks as well as remarkable renditions of material from Santana’s first four albums and the Carlos Santana-John McLaughlin collaboration Love Devotion Surrender, Lotus simultaneously suggests and inspires, dreams and delivers. Though the extended drum solo (“Kyoto”) may not conform to everyone’s idea of essential listening, every moment here sees Carlos Santana and company finding new gears — and playing as if their lives depend on it.
You can feel the passion it on takes of “Every Step of the Way,” “Mantra,” Se a Cabo,” “Toussaint L’Overture,” and the scorching “Incident at Neshabur.” Renditions of Santna’s more “mainstream” fare — “Black Magic Woman,” “Oyo Como Va,” “Gypsy Queen” — touch on similarly elevated planes. Taking the meaning of title of the ambitious album to heart, Santana revolves around themes of rebirth and launches into a mystical universe in which peacefulness, sensitivity, beauty, and boundless creativity orbit a fiery sun. Black magic, indeed.
1. Meditation
2. Going Home
3. A-1 Funk
4. Every Step of the Way
5. Black Magic Woman
6. Gypsy Queen
7. Oye Como Va
8. Yours Is the Light
9. Batuka
10. Xibaba (She-Ba-Ba)
11. Stone Flower (Introduction)
12. Waiting
13. Castillos de Arena, Pt. 1 (Sand Castle)
14. Free Angela
15. Samba de Sausalito
16. Mantra
17. Kyoto
18. Castillos de Arena, Pt. 2 (Sand Castle) |
 | EAGLES Eagles (2021 limited edition Mobile Fidelity Sound
Lab 10-track audiophile DSD remastered Ultradisc UHR™
Super Audio CD mastered directly from the original
tapes. Originally released in June 1972, the Eagles' self-titled
debut played a significant role in changing the face of
mainstream music while setting up a dominant run that's
continued for nearly five decades. Produced by Glyn Johns,
and home to three massive hits. Individually numbered
replica LP-style gatefoldp
#Top 500 Greatest Albums Of All Timeicture sleeve, metallic hype sticker
& factory sealed. Recommended)
Tracklisting: MASTERED FROM THE ORIGINAL ANALOG MASTER TAPES FOR DEFINITIVE SOUND: HYBRID SACD PLAYS WITH STUNNING DETAIL, BALANCE, AND DYNAMICS
Originally released in June 1972, the Eagles' self-titled debut played a significant role in changing the face of mainstream music while setting up a dominant run that's continued for nearly five decades. Produced by Glyn Johns, and home to three massive hits, Eagles established a cleverly restrained, Los Angeles-bred style that would sweep the country and position the group as superstars.
1. Take It Easy
2. Witchy Woman
3. Chug All Night
4. Most of Us Are Sad
5. Nightingale
6. Train Leaves Here This Morning
7. Take the Devil
8. Earlybird
9. Peaceful Easy Feeling
10. Tryin'
Mastered from the original analog master tapes, Mobile Fidelity's numbered-edition hybrid SACD pays tribute to the record's merit and enhances the intimate program for generations to come. Playing with reference sonics that elevate an effort forever prized by audiophiles, this spectacular version provides a clear, clean, transparent, balanced, and intimate view of an album that permanently made California-style rock a style of its own.
Visually, the front cover of the album brilliantly captures the fundamentals of the Eagles' aural essence. Photographed at Joshua Tree National Park, it portrays a seemingly endless blue sky arched over the hovering copper glow of a sunset. In the foreground, shadow-bathed cacti hugs a slice of desert, both illuminated by nature above and beyond. Peaceful, easy, breezy, organic, laidback, cohesive, warm yet cool: The picture parallels the tone and timbre of the content lurking in the songs, and helps elevate Eagles to that rare place where every single aspect (and participant) is united in theme and purpose.
As just one of two Eagles albums created by the original quartet of Glenn Frey, Don Henley, Randy Meisner, and Bernie Leadon, the record remains unique in the band's history for the shared songwriting and vocal performances. Each member takes the lead on at least one track, extending to Meisner on "Most of Us Are Sad," "Take the Devil," and "Tryin'" as well as Leadon on "Train Leaves Here This Morning" and "Earlybird."
The mellifluous blending of the Eagles' distinctive voices, the very aspect that drew Johns to the project, lingers throughout. Such harmonizing – in combination with textured sonic tapestries stitched with acoustic guitars, steady bass lines, banjo notes, folk constructs, and edgy rock elements – informs arrangements bolstered by golden melodies and brilliant craftsmanship. Nowhere is that approach more evident than on "Take It Easy," an opening tune that quickly became a signpost of the collective's mentality, technique, and philosophy. Rambling, and related themes of traveling or returning home, resurface in "Train Leaves Here This Morning" and the restless "Take the Devil."
Women, another of the Eagles' other long-running inspirations, occupies much of the album's other focus. Frey's opportunistic "Chug All Night," the Top 25 smash "Peaceful Easy Feeling," and Jackson Browne's devotional "Nightingale" continue the light-streaked vibes. In contrast, Henley's cautionary "Witchy Woman" portends the darker concepts the band would explore going forward even as the song maintains a voodoo-kissed, feel-good mood. Indeed, few albums of the era felt better in both scope and spirit.
... |
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