sell to us
WE BUY RECORDS, CDS, and MUSIC MEMORABILIA COLLECTIONS IN SEAL BEACH CALIFORNIA
WHAT WE WANT
We will travel to Seal Beach in California to buy your Rare Records, CDs and Pop Memorabilia and we are buying in all of the following local Seal Beach areas below.
Including all of the California boroughs and district areas Orange County, Inland Empire.
To see a list of all the other towns in California we buy from click
here.
Here are just a few examples of what we buy :
Records – vinyl LPs, 7-inch and 12-inch singles, EPs, 33 RPM, 45 RPM, Picture Discs, Colored Vinyl, Test Pressings, Acetates, Demos and Promo/Promotional Items
Compact Discs – CD Singles, CD/DVD singles, Limited Editions, 3" CD singles, Boxed Sets
Pop Memorabilia – Genuine Autographs, Display Items, Photographs, Tour Clothing, original/authenticated handwritten lyrics, tour itineraries, stage props and costumes, paper goods, concert programs, collectable band posters, press kits, photographs, Genesis Publications, the interesting, the unusual and sometimes the downright weird
Gold, Silver and Platinum Record Awards – Certified BPI, RIAA, IFPI or SNEP, authentic in-house variants, Grammy, Ivor Novello, ASCAP, publishing, plaques, shields, trophies, certificates and citations with proper provenance
Original 60s and 70s vinyl record pressings by The Beatles, John Lennon, Paul McCartney, George Harrison, Ringo Starr, Marc Bolan / T-Rex, David Bowie, Eric Clapton / Cream, Bob Dylan, Elvis Presley, Fleetwood Mac, Genesis, Jimi Hendrix, Led Zeppelin, Pink Floyd, Queen, Rolling Stones, Bruce Springsteen, Velvet Underground, The Who, Neil Young, Frank Zappa… and thousands more always required!
Jazz original or audiophile pressing vinyl LPs by Miles Davis, John Coltrane, Dave Brubeck, Paul Gonsalves, Herbie Hancock, Art Pepper, Tina Brooks, Thelonious Monk, Jackie McLean, Shelly Manne, Sonny Clark, Cannonball Adderley, Sonny Stitt, Zoot Simms, Kenny Drew, Duke Pearson, Dexter Gordon, Charlie Parker, Dizzy Gillespie, Don Ellis, Lennie Niehaus, Kenny Clarke, Francy Boland, Donald Byrd, Hank Mobley, Horace Silver...
British Jazz vinyl LPs by Neil Ardley, Gordon Beck, Bill le Sage, Ronnie Ross, Ian Carr, Jeff Clyne, Tony Coe, Mike Cotton, Michael Garrick, Michael Gibbs, Joe Harriott, John Mayer, Tubby Hayes, Allan Holdsworth, John McLaughlin, Harold McNair, Dudley Moore, Dick Morrissey, Mike Osborne, Stan Tracey, Tony Oxley, Don Rendell, Ronnie Scott, Victor Feldman, John Surman, Keith Tippett, Julie Tippett, Mike Westbrook...
Pop record collections by Abba, Kate Bush, Mariah Carey, Duran Duran, Kylie Minogue, Madonna, Pet Shop Boys, U2, and more...
Punk, New Wave and Alternative collections by The Clash, The Cure, Depeche Mode, The Jam/Paul Weller, Japan/David Sylvian, Joy Division/New Order, Nirvana, Oasis, Ramones, Sex Pistols, The Smiths/Morrissey, U2/related, and more...
Rock & Metal collections by AC/DC, Black Sabbath, Ozzy Osbourne, Bon Jovi, Deep Purple, Iron Maiden, Metallica, Motorhead, Rush, Tool, and more...
Genres - 60s, 70s, 80s, 90s, Pop, Beat, Rock, Progressive, Psychedelic, Freakbeat, Krautrock, Heavy Metal, Indie, Jazz (modern, be-bop, avant garde, Britjazz), Funk, Fusion, Blues, Soul, R&B, Punk, New Wave, Mod, 2-Tone, Ska, Reggae, Folk, Italo Disco, Library, Motown
Labels - 4AD, A&M, ABC, Ace, Apple, Argo, Arista, Atco, Atlantic, Audio Lab, BBC, Bell, Bethlehem, Blue Horizon, Blue Note, Bronze, Brunswick, Buddah, Cadet, Capitol, Carnaby, Casablanca, CBS, Charisma, Chess, Chrysalis, Columbia, Contemporary, Coral, Cotillon, Dandelion, Dark Horse, Dawn, Decca, Deram, Disneyland, Dot, Dunhill, Elektra, Emarcy, Ember, EMI, Epic, Factory, Fantasy, Fontana, Geffen, Gordy, Harmony, Harvest, HMV, Immediate, Impulse!, Island, Kama Sutra, KPM, Liberty, London, Mainstream, Marmelade, MCA, Mercury, MGM, Monument, Motown, Neon, Odeon, Page One, Paramount, Parlophone, Philips, Planet, Polydor, Portrait, Prestige, Pye, Rare Earth, RCA, Regal Zonophone, Reprise, Ring O’, Riverside, Rolling Stone, Roulette, Savoy, Sire, Spark, Stax, Straight, Sue, Sun, Swan, Tamla, Threshold, Transatlantic, Tollie, Tower, Track, United Artists, Universal, Vanguard, Vee Jay, Vertigo swirl, Vertigo spaceship, Verve, Virgin, Volt, Warner, ZTT... if we missed some, we probably need those, too...
Swap your records for store credit.
Top Prices paid for MINT condition originals! Still in original seal from new a plus!
WHY SELL TO US?
Our experienced team of buyers has been sourcing records, CDs and music memorabilia collections for over 25 years - we like to keep things simple. We"re keen to purchase your quality collectables or undamaged second-hand vinyl records and CD"s wherever you may be.
We will be pleased to quote for your mint condition items, and we are open to negotiating for complete collections.
Sell to us with complete confidence and safety - we even refund your postage. If you have a large or valuable collection, we can arrange to visit you.
No fees, no negative feedback, no excuses, no fuss. We buy outright and pay immediately.
We are the world leader in the online seller/dealer platform, so why not cash in on your collectable or blue chip record if it is presently only gathering dust?
We have international representatives located in Las Vegas and Hiroshima City, Japan, and our home office is located in Kent, England. We travel extensively to buy rare items and large collections.
Feel free to e-mail us with a detailed description of the items you have to offer -- you may be surprised at what your records are worth!
We are a better than a Seal Beach high street record shop, independent record shop, record fair or any other place to sell your records in a Market, Town Centre or Seal Beach Shopping Centre, Center or Mall and we will pay more than a Seal Beach HMV, Our Price, Zavvi, Fopp, Virgin or Rough Trade shop. We buy unwanted Christmas / Xmas / Birthday gifts & presents from the 1960s, 1970s, 1980s, 1990s, 2000s and 2010s.
We are the world leader of online sellers & record dealers so make money and cash in on a collectable or blue chip record which has gathered dust for years
We also buy Records and CD collections in house clearances and from dead or deceased relatives in the North, South, East and West of California
Our UK office is located in Kent although we travel worldwide. We have international offices located in Las Vegas USA, and Hiroshima City, Japan. We travel extensively to buy rare items and large collections.
Call us first on the numbers below if you have a collection to sell, or e-mail a detailed description of the items you have. Don’t delay… you may be surprised at what your records are worth!
INSTANT CASH WAITING TODAY
Remember, we will travel to Seal Beach in California to buy your Rare Records, CDs and Pop Memorabilia and we are buying in all of the following local Seal Beach areas below.
Including all of the California boroughs and district areas Orange County, Inland Empire.
CONTACT US
E-mail -
USA@991.com
Our UK Home Office is:
991 Buyers
5 Railway Sidings
Meopham, Kent DA13 0YS
England
A FEW OF THE MOST RECENT ITEMS WE WANT...
 | BILLY JOEL The Nylon Curtain (Limited Edition 2013 US
exclusive Mobile Fidelity 11-track Audiophile DSD
remastered Ultradisc UHR™ SACD [Super Audio CD - playable
on all SACD and CD players], originally released in 1982,
mastered directly from the original tapes. Housed in a
numbered LP-style gatefold picture sleeve, complete with
booklet & series card insert. The packaging shows minimal
wear & the disc shows only very light signs of play
UDSACD2092)
Tracklisting: 1 Allentown
2 Laura
3 Pressure
4 Goodnight Saigon
5 She's Right On Time
6 A Room Of Our Own
7 Surprises
8 Scandanavian Skies
9 Where's The Orchestra? |
 | TOM PETTY & THE HEARTBREAKERS The Gennaro Tapes Live
In Edinburgh 1982 (Indie Store Exclusive 2024 US
limited edition triple album 3-LP pressed on Orange Wisp Vinyl
and limited to just 2,000copies!. Captured straight
from the soundboard by longtime band engineer Gennaro
Rippo, Live In Edinburgh 1982: The Gennaro
Tapes offers a vivid, previously unheard document of
Tom Petty & The Heartbreakers during the Long After Dark
tour. The recording is sourced directly from Rippo's original
cassette and housed in a triple gatefold jacket, complete with
a printed insert featuring a letter from Rippo dated June 12,
2024. A hype sticker on the shrinkwrap details the archival
source and limited nature of the pressing. The performance
itself is a high-energy snapshot of the band's 1982 tour,
touching on early classics, fan-favourites, and choice covers.
Recommended)
Tracklisting: Side One
1. American Girl
2. Listen To Her Heart
3. A Thing About You
4. You Got Lucky
Side Two
1. I Need To Know
2. Don't Do Me Like That
3. I'm In Love
4. Change Of Heart
5. Louie Louie
Side Three
1. Straight Into Darkness
2. Stories We Could Tell
3. Louisiana Rain
Side Four
1. One Story Town
2. A Woman In Love (It's Not Me)
3. Kings Road
Side Five
1. Breakdown
2. Hit The Road Jack (Interlude)
3. Refugee
Side Six
1. Shout
2. So You Wanna Be A Rock 'N' Roll Star
3. Anything That's Rock 'N' Roll
Key Features
· Indie exclusive edition on Orange Wisp Vinyl (limited to 2,000 copies)
· Sourced directly from Gennaro Rippo's original soundboard cassette
· 3LP set housed in a triple gatefold jacket
· Includes printed insert with a letter from Gennaro Rippo
· Vinyl-only release curated by the Tom Petty Estate & Third Man Records |
 | BOB DYLAN Good As I Been To You (Original Master
Recording limited edition 13-track LP mastered by Krieg
Wunderlich at Mobile Fidelity Sound Lab on the Gain 2 Ultra Analog
System, specially plated and pressed on 180-gram
SuperVinyl from a formula developed and manufactured by
NEOTECH, cut at 33RPM. The under-heralded 1992 album, Dylan’s first
solo acoustic album in nearly 30 years and first all-covers effort in
nearly 20 years, can be seen as a prophetic prelude to whathas
become the Nobel Laureate’s celebrated late-career arc. It’s also an
absorbing continuation of the custom Dylan has embraced since he
first picked up a guitar. Presented in audiophile sound for the first
time. Picture sleeve individually gold-foil numbered and limited to
5000 copies, factory sealed. Recommended)
Tracklisting: 1/2" / 30 IPS analog master to DSD 256 to analog console to lathe
Sourced from the original master tapes, pressed at RTI, housed in a Stoughton jacket, and strictly limited to 5,000 numbered copies, Mobile Fidelity's 180g SuperVinyl 33RPM LP of Good As I Been to You reveals the immediacy, detail, and stripped-down nature of recording sessions that took place in Dylan’s garage studio in California. Simple, raw, and unplugged, the record presents Dylan in peak form — and showcases a diversity of vocal phrasing, soulful chording, harmonica accents, and close-up ambience that on this reissue emerge like never before. As the first-ever audiophile edition of this almost-lost classic, this LP also benefits from SuperVinyl’s extraordinary properties: a nearly inaudible noise floor, superb groove definition, and dead-quiet surfaces among them.
Recorded and mixed by Micajah Ryan, and supervised by Debbie Gold, Good As I Been to You took shape at Dylan’s home shortly after the singer-songwriter completed sessions in Chicago with a full band. Unaccompanied, he again gravitated to existing works — in this case, traditional folk music — and, with Gold serving as a trusted advisor, performed the songs in multiple keys and tempos until he arrived at what he desired. That careful, determined albeit loose, organic approach emanates from this reissue, on which each note, movement, and space come across more directly, fully, and immediately than on the original formats. It helps draw a through-line to Another Side of Bob Dylan (1964) as well as the similarly themed follow-up, World Gone Wrong (1993) and immersive old-world storytelling of Tempest (2012) and Rough and Rowdy Ways (2020).
Well before Dylan made those renowned 21st century LPs, however, he needed to find a way out of a funk that — save for his 1989 collaboration with Daniel Lanois, Oh Mercy — followed him for years. As author Clinton Heylin reported Dylan admitting in 1997: “My influences have not changed — and any time they have done, the music goes off to a wrong place. That’s why I recorded two LPs of old songs, so I could personally get back to the music that’s true for me.”
Truth: Few, if any, concepts better encapsulate Good As I Been to You. It resonates with the same originality, honesty, resolve, and age- and time-defying relevance as the seminal Anthology of American Folk Music that fired Dylan’s imagination as a kid in small-town Minnesota and, later, per Greil Marcus’ That Old Weird America book, informed Dylan and the Band’s Basement Tapes sessions. This record also contains the type of music Dylan was playing during his acoustic sets at his period Never Ending Tour shows; within a year of the record’s release, Dylan would play half the album’s songs live.
As for those songs: Rife with strange mystery, common circumstance, and epic adventure, the stories appeal to our base instincts. Their themes — jealousy, temptation, sacrifice, love, revenge, identity, opportunity — operate on a fundamentally human level immune to trends, generations, or eras. They’re ancient and modern, serious and comical, open and disguised, simple and multi-layered. They talk of vengeance and justice (“Frankie & Albert”; “Jim Jones”), romance and tenderness (“Tomorrow Night,” “Froggie Went a Courtin’”), the troubled and trouble-free (“Hard Times,” “Sittin’ on Top of the World”). They lend voice to lovers scorned and freed (“Blackjack Davey”), the used and users (“Diamond Joe”), the powerful and powerless (“Arthur McBride,” “Canadee-I-O”), the followed and followers (“Little Maggie”). And akin to much of Dylan’s finest output, things are not always what they appear to be.
Spanning country, folk, sea shanty, bluegrass, and blues motifs, Good As I Been to You re-confirms Dylan’s position as an elite interpreter and sculptor — not of just structure but emotion. Dylan delivers the tunes as if he’s known them forever. He plays with a subtle sense of mischievousness and retains a largely upbeat demeanor; his eyes seemingly twinkle as he sings and picks. His guitar serves as the guidepost for shuffles, boogies, ballads, and mess-arounds while his innate feel for each specific arrangement and melody helps inform pacing, tone, attack.
Like a great author, he understands the importance of adhering to concision, luring an audience, holding their attention, and maximizing the impact of details, actions, and unexpected turns. Though already coarse and ragged, his voice feels ideal for the subject matter and his phrasing — from the clever ways he stretches syllables to underline meanings on the surprise twists of “Canadee-I-O” to the sheer delight he gets from singing “rowdy-dow-dow” on the protest song “Arthur McBride” — outstanding.
“The sound? Authentic.”
—Ken Kessler, Hi-Fi News, 90% rating
MoFi SuperVinyl
Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound devised. Expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a carbonless dye (hold the disc up to the light and see) and produces ultra-quiet surfaces. This high-definition formula also allows for the creation of clean grooves that are virtually indistinguishable from the original lacquer.
Side One:
Frankie & Albert
Jim Jones
Blackjack Davey
Canadee-I-O
Sittin’ on Top of the World
Little Maggie
Hard Times
Side Two:
Step It Up and Go
Tomorrow Night
Arthur McBride
You’re Gonna Quit Me
Diamond Joe
Froggie Went a Courtin' |
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