sell to us
WE BUY RECORDS, CDS, and MUSIC MEMORABILIA COLLECTIONS IN LEMON HEIGHTS CALIFORNIA
WHAT WE WANT
We will travel to Lemon Heights in California to buy your Rare Records, CDs and Pop Memorabilia and we are buying in all of the following local Lemon Heights areas below.
Including all of the California boroughs and district areas Orange County, Inland Empire.
To see a list of all the other towns in California we buy from click
here.
Here are just a few examples of what we buy :
Records – vinyl LPs, 7-inch and 12-inch singles, EPs, 33 RPM, 45 RPM, Picture Discs, Colored Vinyl, Test Pressings, Acetates, Demos and Promo/Promotional Items
Compact Discs – CD Singles, CD/DVD singles, Limited Editions, 3" CD singles, Boxed Sets
Pop Memorabilia – Genuine Autographs, Display Items, Photographs, Tour Clothing, original/authenticated handwritten lyrics, tour itineraries, stage props and costumes, paper goods, concert programs, collectable band posters, press kits, photographs, Genesis Publications, the interesting, the unusual and sometimes the downright weird
Gold, Silver and Platinum Record Awards – Certified BPI, RIAA, IFPI or SNEP, authentic in-house variants, Grammy, Ivor Novello, ASCAP, publishing, plaques, shields, trophies, certificates and citations with proper provenance
Original 60s and 70s vinyl record pressings by The Beatles, John Lennon, Paul McCartney, George Harrison, Ringo Starr, Marc Bolan / T-Rex, David Bowie, Eric Clapton / Cream, Bob Dylan, Elvis Presley, Fleetwood Mac, Genesis, Jimi Hendrix, Led Zeppelin, Pink Floyd, Queen, Rolling Stones, Bruce Springsteen, Velvet Underground, The Who, Neil Young, Frank Zappa… and thousands more always required!
Jazz original or audiophile pressing vinyl LPs by Miles Davis, John Coltrane, Dave Brubeck, Paul Gonsalves, Herbie Hancock, Art Pepper, Tina Brooks, Thelonious Monk, Jackie McLean, Shelly Manne, Sonny Clark, Cannonball Adderley, Sonny Stitt, Zoot Simms, Kenny Drew, Duke Pearson, Dexter Gordon, Charlie Parker, Dizzy Gillespie, Don Ellis, Lennie Niehaus, Kenny Clarke, Francy Boland, Donald Byrd, Hank Mobley, Horace Silver...
British Jazz vinyl LPs by Neil Ardley, Gordon Beck, Bill le Sage, Ronnie Ross, Ian Carr, Jeff Clyne, Tony Coe, Mike Cotton, Michael Garrick, Michael Gibbs, Joe Harriott, John Mayer, Tubby Hayes, Allan Holdsworth, John McLaughlin, Harold McNair, Dudley Moore, Dick Morrissey, Mike Osborne, Stan Tracey, Tony Oxley, Don Rendell, Ronnie Scott, Victor Feldman, John Surman, Keith Tippett, Julie Tippett, Mike Westbrook...
Pop record collections by Abba, Kate Bush, Mariah Carey, Duran Duran, Kylie Minogue, Madonna, Pet Shop Boys, U2, and more...
Punk, New Wave and Alternative collections by The Clash, The Cure, Depeche Mode, The Jam/Paul Weller, Japan/David Sylvian, Joy Division/New Order, Nirvana, Oasis, Ramones, Sex Pistols, The Smiths/Morrissey, U2/related, and more...
Rock & Metal collections by AC/DC, Black Sabbath, Ozzy Osbourne, Bon Jovi, Deep Purple, Iron Maiden, Metallica, Motorhead, Rush, Tool, and more...
Genres - 60s, 70s, 80s, 90s, Pop, Beat, Rock, Progressive, Psychedelic, Freakbeat, Krautrock, Heavy Metal, Indie, Jazz (modern, be-bop, avant garde, Britjazz), Funk, Fusion, Blues, Soul, R&B, Punk, New Wave, Mod, 2-Tone, Ska, Reggae, Folk, Italo Disco, Library, Motown
Labels - 4AD, A&M, ABC, Ace, Apple, Argo, Arista, Atco, Atlantic, Audio Lab, BBC, Bell, Bethlehem, Blue Horizon, Blue Note, Bronze, Brunswick, Buddah, Cadet, Capitol, Carnaby, Casablanca, CBS, Charisma, Chess, Chrysalis, Columbia, Contemporary, Coral, Cotillon, Dandelion, Dark Horse, Dawn, Decca, Deram, Disneyland, Dot, Dunhill, Elektra, Emarcy, Ember, EMI, Epic, Factory, Fantasy, Fontana, Geffen, Gordy, Harmony, Harvest, HMV, Immediate, Impulse!, Island, Kama Sutra, KPM, Liberty, London, Mainstream, Marmelade, MCA, Mercury, MGM, Monument, Motown, Neon, Odeon, Page One, Paramount, Parlophone, Philips, Planet, Polydor, Portrait, Prestige, Pye, Rare Earth, RCA, Regal Zonophone, Reprise, Ring O’, Riverside, Rolling Stone, Roulette, Savoy, Sire, Spark, Stax, Straight, Sue, Sun, Swan, Tamla, Threshold, Transatlantic, Tollie, Tower, Track, United Artists, Universal, Vanguard, Vee Jay, Vertigo swirl, Vertigo spaceship, Verve, Virgin, Volt, Warner, ZTT... if we missed some, we probably need those, too...
Swap your records for store credit.
Top Prices paid for MINT condition originals! Still in original seal from new a plus!
WHY SELL TO US?
Our experienced team of buyers has been sourcing records, CDs and music memorabilia collections for over 25 years - we like to keep things simple. We"re keen to purchase your quality collectables or undamaged second-hand vinyl records and CD"s wherever you may be.
We will be pleased to quote for your mint condition items, and we are open to negotiating for complete collections.
Sell to us with complete confidence and safety - we even refund your postage. If you have a large or valuable collection, we can arrange to visit you.
No fees, no negative feedback, no excuses, no fuss. We buy outright and pay immediately.
We are the world leader in the online seller/dealer platform, so why not cash in on your collectable or blue chip record if it is presently only gathering dust?
We have international representatives located in Las Vegas and Hiroshima City, Japan, and our home office is located in Kent, England. We travel extensively to buy rare items and large collections.
Feel free to e-mail us with a detailed description of the items you have to offer -- you may be surprised at what your records are worth!
We are a better than a Lemon Heights high street record shop, independent record shop, record fair or any other place to sell your records in a Market, Town Centre or Lemon Heights Shopping Centre, Center or Mall and we will pay more than a Lemon Heights HMV, Our Price, Zavvi, Fopp, Virgin or Rough Trade shop. We buy unwanted Christmas / Xmas / Birthday gifts & presents from the 1960s, 1970s, 1980s, 1990s, 2000s and 2010s.
We are the world leader of online sellers & record dealers so make money and cash in on a collectable or blue chip record which has gathered dust for years
We also buy Records and CD collections in house clearances and from dead or deceased relatives in the North, South, East and West of California
Our UK office is located in Kent although we travel worldwide. We have international offices located in Las Vegas USA, and Hiroshima City, Japan. We travel extensively to buy rare items and large collections.
Call us first on the numbers below if you have a collection to sell, or e-mail a detailed description of the items you have. Don’t delay… you may be surprised at what your records are worth!
INSTANT CASH WAITING TODAY
Remember, we will travel to Lemon Heights in California to buy your Rare Records, CDs and Pop Memorabilia and we are buying in all of the following local Lemon Heights areas below.
Including all of the California boroughs and district areas Orange County, Inland Empire.
CONTACT US
E-mail -
USA@991.com
Our UK Home Office is:
991 Buyers
5 Railway Sidings
Meopham, Kent DA13 0YS
England
A FEW OF THE MOST RECENT ITEMS WE WANT...
 | MILES DAVIS In A Silent Way (Original Master
Recording limited edition LP mastered by Krieg
Wunderlich at Mobile Fidelity Sound Lab on the Gain 2 Ultra
Analog System, specially plated & pressed on 180-gram High
Definition Vinyl. Originally released in 1969 this album is now
widely considered one of the crowning achievements in Miles
Davis' career, featuring two long pieces that highlight his first
experiments with fusion, something he would explore more
fully throughout theseventies. Deluxe picture sleeve with
cover art photo by Lee Friedlander, individually gold-foil
numbered & factory sealed. Recommended)
Tracklisting: FEATURES JOHN MCLAUGHLIN, CHICK COREA, HERBIE HANCOCK, JOE ZAWINUL, WAYNE SHORTER, DAVE HOLLAND, AND TONY WILLIAMS
1/4" / 15 IPS analog master to DSD 64 to analog console to lathe
Shhh. The command to be quiet is not just part of the title of one of the two sprawling compositions on this pioneering album. It's also an apt metaphor for the relaxed hypnotism and spaced-out atmosphere that define In a Silent Way, a record that pushes the boundaries of studio possibilities, artist-producer relationships, and rock-jazz chasms. Recognized as Miles Davis' first full-on fusion effort and part of his "electric" era, the 1969 landmark claims a Who's Who lineup that sends the music into an ethereal stratosphere.
Side 1
Shhh/Peaceful
Side 2
In a Silent Way/It's About That Time
Mastered from the original master tapes and pressed at RTI, this unsurpassed 180g LP edition lifts the veil on the cutting-edge assembly process that created the pair of lengthy suites. Helmed by three electric instruments, the beveled compositions melt away all preconceived notions of "jazz," ˜rock," and "ambience," following a loose theory Davis dubbed "New Directions."
Few albums are so delicately textured. And on Mobile Fidelity's meticulous reissue, such sulcate elements pour over ink-black backgrounds on a canyon-wide soundstage. In particular, Tony Williams' inventive percussive touch – he causes the cymbals to shimmer as a pieces of silver tend to do when exposed to sunlight – is broadcast with lifelike three-dimensional qualities, the panoramic view extending to Davis' nocturnal trumpet, Wayne Shorter's ribbon-unfurling saxophone, Dave Holland's extrapolative bass, and the mosaic of keys.
If the record's only accomplishment is its introduction of guitarist John McLaughlin to the world, it alone would be enough. Yet In a Silent Way continues to bedazzle, puzzle, and inspire for myriad reasons – not the least of which is the seemingly telepathic communicative methods employed by the group's members. The lineup is great on paper, but, if it's even possible, the octet sounds even better in practice, with the instruments and tonalities conjoining in avant-garde communion like hyper-sensitive tentacles exploring the stippled landscapes of an undiscovered planet.
Diverting from expectation, tubular grooves twist, turn, and spin, sometimes piling atop of each other, always shying away from structure and melody. Ellipsoidal solos provide hesitant guidance, ranging from Chick Corea's Fender Rhodes phrases to Davis' decorative spirals. And as color is the primary unit of currency on Davis' Sketches of Spain, laidback episodes, geometric spaces, and quiet sensuality reign here, with the set's maverick reputation attained via musings on solitude rather than explosions of noise.
Controversial for the period, the heavily edited production of In a Silent Way blew open the once-locked doors on what producer's could attempt – and how artists could assist them. Knitted together as one would construct a cross-hatched quilt, songs contain grafts of repeat passages that provide unifying structure and experimental continuity. What a statement. |
 | CREEDENCE CLEARWATER REVIVAL Creedence Clearwater
Revival (1968 US 8-track stereo LP, US printed picture sleeve.
The sleeve shows the 'Susie Q' hype, which were not on the
first issues, shows some light wear to the spines and corners,
the vinyl remains in excellent condition. Overall a very nice
VG example 8382)
Tracklisting: I Put A Spell On You 4:25
The Working Man 3:02
Suzie Q. 8:34
Ninety-Nine And A Half (Won't Do) 3:35
Get Down Woman 3:02
Porterville 2:13
Gloomy 3:48
Walk On The Water 4:16 |
 | THE SISTERS OF MERCY First And Last And Always (Mobile
Fidelity Sound Lab Silver Label Series special limited
edition 10-track LP mastered on the Gain 2 Ultra Analog
System. Their 1985 debut drew the template for all goth-rock
records that followed, drenched in gloom, claustrophobia,
black humour, and dance-ready beats that provide
exhilarating contrasts. Picture sleeve with original cover
artwork, gold-foil numbered & factory sealed. Recommended)
Tracklisting: The template for all goth-rock records that followed, Sisters of Mercy's First and Last and Always stands as one of the – if not the most – influential albums of its kind ever released. Distinguished by Andrew Eldritch's ghostly singing, which gives the impression of hearing a forlorn ghoul croon from a foggy English graveyard, the 1985 set is drenched in gloom, claustrophobia, black humor, and dance-ready beats that provide exhilarating contrasts. Fans of the Cure, Depeche Mode, Love and Rockets, Peter Murphy, mid-period Nick Cave, and Joy Division will find it to be a new favorite record.
Side One
1. Black Planet
2. Walk Away
3. No Time to Cry
4. A Rock and a Hard Place
5. Marian (Version)
Side Two
1. First and Last and Always
2. Possession
3. Nine While Nine
4. Amphetamine Logic
5. Some Kind of Stranger
Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI, Silver Label numbered edition LP presents First and Last and Always with a fuller, richer sound that positively obliterates the thin, feeble sonic perspectives that have limited the music until now. Every aspect from Eldritch's haunting singing to the group's jangling guitars and prancing bass lines finally gain genuine definition. Yet what's most improved is the sense of atmosphere: Sisters of Mercy revel in painting tone poems, where the feel and effect are as essential as the notes that are played. This is now an atmospheric tour de force.
Ever since it's release, First and Last and Always has been aptly shrouded in mythology. Eldritch pushed the envelope during the recording sessions, literally walking into walls and repeatedly unable to maintain his focus. Strung out on amphetamines, dazed by days of no sleep, upset by a recent breakup, and eating little, the vocalist channeled his discord into somber lyrics and brooding singing. He's framed by pulsing albeit lean, spare rhythms, patient tempos, and the clatter of a programmed drum machine that, in spite of its mechanical operation, sounds strangely organic. The songs evoke wet dungeons, walls-closing-in paranoia, and late-night strolls amidst the U.K.'s mysterious underground.
Despite its overall dark character, the record's arrangements value spaciousness, putting a premium on room and minimalism that makes each note count. As a result, twinkling pianos and keyboards parallel steel-cutting guitars and low-tuned bass lines that, in combination with Eldrtich's baritone, suggest glimmers of hope among the decay. Songs such as the shaking "Possession," dramatic "Some Kind of Stranger," and desperate "Marian" remain models of the gothic and post-punk disciplines more than 25 years after their debut. It's no surprise that, given all of the tension and personality that infuse the album, Sisters of Mercy disbanded just months after its release.
It's unlikely that any goth-rock album has ever sounded this good. This Silver Label LP will turn your room into rainy, dreary England, circa 1985, and expose you to one of the most harrowing vocal performances on record.
"The lead track, 'Black Planet,' showcases the new remastering to full effect. The song features an all-encompassing bass rhythm that, with every strike, infects the tune like mustard gas unleashed in a trench. On a poor master, the bass would threaten to suffocate the rest of the arrangement. But Mobile Fidelity keeps it in check with a distinct, sparkling, upper-mid sensitive guitar; the bass merrily sits on the edge of the soundstage."
– Paul Rigby, TONE Audio |
 | GODSPEED YOU BLACK EMPEROR 'Allelujah! Don't Bend Ascend
(2012 US limited edition four double disc vinyl album, their
fourth studio release marked the beginning of their major
stylistic change, being less technically complex and
emphasizing further on drones while abandoning the concept
of movements altogether – a compositional format they would
continue to employ until 2021's G_d's Pee at State's End!.
Presented in a slightly alternate running order [compared to
the CD edition], this vinyl pressing of the album features the
lengthier tracks 'Mladic' and 'We Drift Like Worried Fire' on a
12" LP accompanied by a 7" featuring the shorter,
'drone' tracks: 'Their Helicopters Sing' and 'Strung Like Lights
at Thee Printemps Erable'. Both vinyl discs look barely played
inside individual card inners complete with the fold-out insert
housed within the gatefold picture sleeve still in it's stickered
open shrink)
Tracklisting: VINYL LP
A1. Mladic 19:54
B1. We Drift Like Worried Fire 19:58
VINYL 7":
C1. Their Helicopters' Sing 6:30
D1. Strung Like Lights At Thee Printemps Erable 6:31 |
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