sell to us
WE BUY RECORDS, CDS, and MUSIC MEMORABILIA COLLECTIONS IN COACHELLA CALIFORNIA
WHAT WE WANT
We will travel to Coachella in California to buy your Rare Records, CDs and Pop Memorabilia and we are buying in all of the following local Coachella areas below.
Including all of the California boroughs and district areas Orange County, Inland Empire.
To see a list of all the other towns in California we buy from click
here.
Here are just a few examples of what we buy :
Records – vinyl LPs, 7-inch and 12-inch singles, EPs, 33 RPM, 45 RPM, Picture Discs, Colored Vinyl, Test Pressings, Acetates, Demos and Promo/Promotional Items
Compact Discs – CD Singles, CD/DVD singles, Limited Editions, 3" CD singles, Boxed Sets
Pop Memorabilia – Genuine Autographs, Display Items, Photographs, Tour Clothing, original/authenticated handwritten lyrics, tour itineraries, stage props and costumes, paper goods, concert programs, collectable band posters, press kits, photographs, Genesis Publications, the interesting, the unusual and sometimes the downright weird
Gold, Silver and Platinum Record Awards – Certified BPI, RIAA, IFPI or SNEP, authentic in-house variants, Grammy, Ivor Novello, ASCAP, publishing, plaques, shields, trophies, certificates and citations with proper provenance
Original 60s and 70s vinyl record pressings by The Beatles, John Lennon, Paul McCartney, George Harrison, Ringo Starr, Marc Bolan / T-Rex, David Bowie, Eric Clapton / Cream, Bob Dylan, Elvis Presley, Fleetwood Mac, Genesis, Jimi Hendrix, Led Zeppelin, Pink Floyd, Queen, Rolling Stones, Bruce Springsteen, Velvet Underground, The Who, Neil Young, Frank Zappa… and thousands more always required!
Jazz original or audiophile pressing vinyl LPs by Miles Davis, John Coltrane, Dave Brubeck, Paul Gonsalves, Herbie Hancock, Art Pepper, Tina Brooks, Thelonious Monk, Jackie McLean, Shelly Manne, Sonny Clark, Cannonball Adderley, Sonny Stitt, Zoot Simms, Kenny Drew, Duke Pearson, Dexter Gordon, Charlie Parker, Dizzy Gillespie, Don Ellis, Lennie Niehaus, Kenny Clarke, Francy Boland, Donald Byrd, Hank Mobley, Horace Silver...
British Jazz vinyl LPs by Neil Ardley, Gordon Beck, Bill le Sage, Ronnie Ross, Ian Carr, Jeff Clyne, Tony Coe, Mike Cotton, Michael Garrick, Michael Gibbs, Joe Harriott, John Mayer, Tubby Hayes, Allan Holdsworth, John McLaughlin, Harold McNair, Dudley Moore, Dick Morrissey, Mike Osborne, Stan Tracey, Tony Oxley, Don Rendell, Ronnie Scott, Victor Feldman, John Surman, Keith Tippett, Julie Tippett, Mike Westbrook...
Pop record collections by Abba, Kate Bush, Mariah Carey, Duran Duran, Kylie Minogue, Madonna, Pet Shop Boys, U2, and more...
Punk, New Wave and Alternative collections by The Clash, The Cure, Depeche Mode, The Jam/Paul Weller, Japan/David Sylvian, Joy Division/New Order, Nirvana, Oasis, Ramones, Sex Pistols, The Smiths/Morrissey, U2/related, and more...
Rock & Metal collections by AC/DC, Black Sabbath, Ozzy Osbourne, Bon Jovi, Deep Purple, Iron Maiden, Metallica, Motorhead, Rush, Tool, and more...
Genres - 60s, 70s, 80s, 90s, Pop, Beat, Rock, Progressive, Psychedelic, Freakbeat, Krautrock, Heavy Metal, Indie, Jazz (modern, be-bop, avant garde, Britjazz), Funk, Fusion, Blues, Soul, R&B, Punk, New Wave, Mod, 2-Tone, Ska, Reggae, Folk, Italo Disco, Library, Motown
Labels - 4AD, A&M, ABC, Ace, Apple, Argo, Arista, Atco, Atlantic, Audio Lab, BBC, Bell, Bethlehem, Blue Horizon, Blue Note, Bronze, Brunswick, Buddah, Cadet, Capitol, Carnaby, Casablanca, CBS, Charisma, Chess, Chrysalis, Columbia, Contemporary, Coral, Cotillon, Dandelion, Dark Horse, Dawn, Decca, Deram, Disneyland, Dot, Dunhill, Elektra, Emarcy, Ember, EMI, Epic, Factory, Fantasy, Fontana, Geffen, Gordy, Harmony, Harvest, HMV, Immediate, Impulse!, Island, Kama Sutra, KPM, Liberty, London, Mainstream, Marmelade, MCA, Mercury, MGM, Monument, Motown, Neon, Odeon, Page One, Paramount, Parlophone, Philips, Planet, Polydor, Portrait, Prestige, Pye, Rare Earth, RCA, Regal Zonophone, Reprise, Ring O’, Riverside, Rolling Stone, Roulette, Savoy, Sire, Spark, Stax, Straight, Sue, Sun, Swan, Tamla, Threshold, Transatlantic, Tollie, Tower, Track, United Artists, Universal, Vanguard, Vee Jay, Vertigo swirl, Vertigo spaceship, Verve, Virgin, Volt, Warner, ZTT... if we missed some, we probably need those, too...
Swap your records for store credit.
Top Prices paid for MINT condition originals! Still in original seal from new a plus!
WHY SELL TO US?
Our experienced team of buyers has been sourcing records, CDs and music memorabilia collections for over 25 years - we like to keep things simple. We"re keen to purchase your quality collectables or undamaged second-hand vinyl records and CD"s wherever you may be.
We will be pleased to quote for your mint condition items, and we are open to negotiating for complete collections.
Sell to us with complete confidence and safety - we even refund your postage. If you have a large or valuable collection, we can arrange to visit you.
No fees, no negative feedback, no excuses, no fuss. We buy outright and pay immediately.
We are the world leader in the online seller/dealer platform, so why not cash in on your collectable or blue chip record if it is presently only gathering dust?
We have international representatives located in Las Vegas and Hiroshima City, Japan, and our home office is located in Kent, England. We travel extensively to buy rare items and large collections.
Feel free to e-mail us with a detailed description of the items you have to offer -- you may be surprised at what your records are worth!
We are a better than a Coachella high street record shop, independent record shop, record fair or any other place to sell your records in a Market, Town Centre or Coachella Shopping Centre, Center or Mall and we will pay more than a Coachella HMV, Our Price, Zavvi, Fopp, Virgin or Rough Trade shop. We buy unwanted Christmas / Xmas / Birthday gifts & presents from the 1960s, 1970s, 1980s, 1990s, 2000s and 2010s.
We are the world leader of online sellers & record dealers so make money and cash in on a collectable or blue chip record which has gathered dust for years
We also buy Records and CD collections in house clearances and from dead or deceased relatives in the North, South, East and West of California
Our UK office is located in Kent although we travel worldwide. We have international offices located in Las Vegas USA, and Hiroshima City, Japan. We travel extensively to buy rare items and large collections.
Call us first on the numbers below if you have a collection to sell, or e-mail a detailed description of the items you have. Don’t delay… you may be surprised at what your records are worth!
INSTANT CASH WAITING TODAY
Remember, we will travel to Coachella in California to buy your Rare Records, CDs and Pop Memorabilia and we are buying in all of the following local Coachella areas below.
Including all of the California boroughs and district areas Orange County, Inland Empire.
CONTACT US
E-mail -
USA@991.com
Our UK Home Office is:
991 Buyers
5 Railway Sidings
Meopham, Kent DA13 0YS
England
A FEW OF THE MOST RECENT ITEMS WE WANT...
 | BULLET FOR MY VALENTINE Scream Aim Fire (2008 US
exclusive limited edition 12-track 2-LP vinyl, the
group's second studio album, includes the singles Scream Aim
Fire and Hearts Burst Into Fire, along with the bonus
recording Ashes Of The Innocent, housed in a gatefold
picture sleeve. The sleeve displays a little light corner wear,
however this example remains factoy sealed from new in the
original hype stickered shrink)
Tracklisting: 1. Scream Aim Fire
2. Eye of the Storm
3. Hearts Burst Into Fire
4. Waking the Demon
5. Disappear
6. Deliver Us From Evil
7. Take It Out On Me
8. Say Goodbye
9. End of Days
10. Last to Know
11. Forever and Always
12. Ashes Of The Innocent - bonus track |
 | MILES DAVIS Sketches Of Spain (Original Master Recording
limited edition 5-track LP mastered by Krieg Wunderlich at Mobile
Fidelity Sound Lab on the Gain 2 Ultra Analog System, specially plated
and pressed on 180-gram High Definition Vinyl. Originally released in
1960, arranged & conducted by Gil Evans, the album weds Spanish
themes, lush orchestrations, romantic timbres, and Davis'
increasingly lyrical methods in a tender ceremony that continues to
resonate more than five decades after its original release. Picture
sleeve individually gold-foil numbered & factory sealed.
Recommended)
Tracklisting: DAVIS' FINAL AND MOST IMPRESSIVE PAIRING WITH ARRANGER GIL EVANS YIELDS WATERSHED INNOVATIONS
1/4" / 15 IPS analog master to DSD 64 to analog console to lathe
Miles Davis and Gil Evans bridged styles and collaborated on high-concept projects a total of three times during their celebrated career. For their final act, they created Sketches of Spain, a peak moment in each luminary's career and a transformative album that weds Spanish themes, lush orchestrations, romantic timbres, and Davis' increasingly lyrical methods in a tender ceremony that continues to resonate more than five decades after its original release.
Side I
Concierto de Aranjuez (Adagio)
Will O' the Wisp
Side II
The Pan Piper
Saeta
Solea
Part of Mobile Fidelity's Miles Davis catalog restoration series, the genre-defying 1960 classic has been given the ultimate white-gloves treatment. Mastered from the original master tapes and pressed at RTI, this exquisite 180g LP significantly expands the soundstage that frames the orchestra and digs deep to eradicate a dryness that many critics have found as an anathema to its overall enjoyment. Here, at last, is the full-figured perspective long deserved by the woodwinds, strings, and percussion, all of which come alive with previously unheard definition and detail.
With both Evans and Davis attracted to the blues undercurrents permanently entrenched in the Spanish flamenco strains, listeners can finally wholly detect the myriad microdynamic tonalities, brooding ostinato devices, and minor pedal points that stamp the compositions with divine sensibility and goffered effect.
Multi-note motifs, brief improvisational solos, fanfare sweeps, and contrapuntal exchanges inform the flamenco-spiced pieces, but so do unconventionally voiced instruments that come into full relief on this reissue. Davis' Harmon-muted trumpet is abetted by an assortment of bassoons and French horns that create pleasing contrasts and sounds (pp, mf, ppp) that get to the heart of Sketches of Spain: splashes of color. Seldom, if ever, did Davis ever so expressively and liberally paint with color. And in Evans, he has a likewise-minded partner to help draw out variegated shades, adamantine layers, and striated distinctions. |
 | X-RAY SPEX Germfree Adolescents (2016 US limited edition
issue of their classic 1978 12-track debut LP pressed on
CLEAR 'X-RAY' VINYL, including Identity, The Day The
World Turned Dayglo and Let's Submerge. Housed in a picture
sleeve with lyric inner - still in its opened hype-stickered
shrinkwrap RGM-0460)
#Top 500 Greatest Albums Of All Time
Tracklisting: A1. Art-I-ficial
A2. Obsessed With You
A3. Warrior In Woolworths
A4. Let's Submerge
A5. I Can't Do Anything
A6. Identity
B1. Genetic Engineering
B2. I Live Off You
B3. I Am A Poseur
B4. Germ Free Adolescents
B5. Plastic Bag
B6. The Day The World Turned Dayglo |
 | DIRE STRAITS On Every Street (Original Master
Recording 2024 limited edition Mobile Fidelity Sound Lab
12-track double album 2-LP, mastered by Krieg Wunderlich on
the Gain 2 Ultra Analog System, specially plated and pressed
on two 180-gram High-Definition Vinyl records cut at
45RPM. Their classic 1991 album features Calling Elvis, The
Bug, Heavy Fuel and title track On Every Street. Heavyweight
gatefold picture sleeve with original album art, individually
gold-foil numbered and sealed inside its perforated loose bag.
Recommended)
Tracklisting: SOURCED FROM THE ORIGINAL MASTER TAPES: 2LP SET PRESENTS 1991 ALBUM IN 45RPM SPEED FOR FIRST TIME
PCM Digital Master to Analog Console to Lathe
Dire Straits never made a big to-do about its final run. In classic understated British fashion, the band simply let its music speak for itself. And how. Originally released in September 1991, On Every Street became the group's swan song – a lasting testament to the influence, musicianship, and integrity of an ensemble whose merit has never been tainted by cash-grab reunions or farewell treks. It remains an essential part of the Dire Straits catalog and a blueprint of the distinctive U.K. roots rock the collective played for its 15-year career.
Side One
1. Calling Elvis
2. On Every Street
3. When It Comes to You
Side Two
1. Fade to Black
2. The Bug
3. You and Your Friend
Side Three
1. Heavy Fuel
2. Iron Hand
3. Ticket to Heaven
Side Four
1. My Parties
2. Planet of New Orleans
3. How Long
Sourced from the original master tapes, housed in gatefold packaging, and pressed at RTI, Mobile Fidelity's 180g 45RPM 2LP set of On Every Street presents the album like it has always been meant to be experienced: in reference-grade audiophile sound. Recorded at AIR Studios in London and produced by Dire Straits leader Mark Knopfler, it features all of the band's sonic hallmarks – wide instrumental separation, visceral textures, seemingly limitless air, broad soundstages, atmospherics that you can almost reach out and feel. Each element is made more vibrant, physical, and lifelike on this collectible reissue, which marks the first time this 60-minute work has been available at 45RPM speed.
Afforded generous groove space and black backgrounds, the songs from On Every Street burst with nuanced details and vibrant colors. Dire Straits' playing appears to float, their intricate performances organized amid hypnotic, fluid, three-dimensional arrangements. Mobile Fidelity's definitive-sounding set also brings into transparent view Knopfler's finely sculpted guitar lines, expressive tones, and laid-back vocals – as well as the balanced accompaniment from his band mates. Here's a record on which you can hear the full blossom and decay of individual notes, and imagine the size and shape of the studio. It is in every regard a demonstration disc. And it happens to be filled with timeless fare.
Remarkably, On Every Street almost never came to light. Dire Straits initially dissolved in September 1988 after touring behind its blockbuster Brothers in Arms and suffering the departure of two members. At the time, Knopfler professed his desire to work on solo material; bassist John Illsley also explored other pursuits. But Knopfler's decision in 1989 to reconvene with the country-leaning Notting Hillbillies side project reignited a spark to reconvene his primary band and craft a fresh batch of songs. Six years removed from Brothers in Arms, Knopfler, Illsley, keyboardist Alan Clark, and keyboardist Guy Fletcher teamed with A-list session pros – steel guitarist Paul Franklin, percussionist Danny Cummings, saxophonist Chris White, guitarist Phil Palmer included – to create what still stands as an unforgettable farewell.
The platinum record brings the band full circle in that it returns Dire Straits to a quartet formation; finds the group refreshingly out of step with the era's prevailing trends; and sees Knopfler and Co. knocking out song after song with the deceptive ease of a punter tossing back a pint at a pub. That subtle cool, clever poise, and innate control – signature traits that no other band ever matched – dominate On Every Street. Knopfler's clean, virtuosic six-string escapades unfurl with dizzying melodicism and economical efficiency. Led by his winding fills and focused solos, Dire Straits traverse a hybrid landscape of rock, jazz, country, boogie, blues, and pop strains with near-faultless prowess.
More than any other entry in the group's oeuvre, On Every Street welcomes quick detours down back alleys and into the depths of human souls. What makes it more brilliant is its staunch refusal to cater to commercial expectations or take advantage of prior successes; every passage feels true, every measure echoed in the service of song. It's evident in the humorous satire of "Heavy Fuel," closeted desperation of the witty "Calling Elvis," and shake-and-bake bounce of "The Bug." It pours from the album's darker corners, as on the high-and-lonesome melancholy of the title track and bruised emotionalism of "When It Comes to You."
Hinting at the open-minded approaches and boundless curiosity he'd embrace as a solo artist, Knopfler doesn't limit himself when it comes to style or subject matter. Look no further than "You and Your Friend," a shuffle whose all-inclusive lyrics encourage an array of interpretative meanings. Another of the album's deep cuts, "Iron Hand," comes on as one of the band's most memorable moments – the narrative addressing the abuses of power at the 1984 Battle of Orgreave during the U.K. miners' strike. Given cinematic heft by the expert production, the true-fiction account puts into perspective the richness, poetry, and depth of On Every Street.
"Every victory has a taste that's bittersweet," sings Knopfler on the title track. At least that bittersweetness seldom sounded so damn good on record. |
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