sell to us

WE BUY VINYL RECORD, CDS & MUSIC MEMORABILIA COLLECTIONS IN ABINGER HAMMER SURREY


WHAT WE WANT..


We will travel to Abinger Hammer in Surrey to buy your Rare Records, CDs and Pop Memorabilia and we are buying in all of the following local Abinger Hammer areas below.

Including all of the Surrey boroughs and district areas Elmbridge, Epsom and Ewell, Guildford, Mole Valley, Reigate and Banstead, Runnymede, Spelthorne, Surrey Heath, Tandridge, Waverley, Woking.

To see a list of all the other towns in Surrey we buy from click here.

Here are just a few examples of what we buy :

Records – vinyl LPs, 7-inch & 12-inch singles, EPs, 33 RPM, 45 RPM, Picture Discs, Coloured Vinyls, Test Pressings, Acetates, Demos and Promo/Promotional Items Compact Discs – CD Singles, CD/DVD singles, Limited Editions, 3” CD singles, Boxed Sets, 33 1/3 RPM, 78 RPM

Pop Memorabilia – Autographs, Guitars, Picks, Display Items, Photographs, Sheet Music, Vintage Clothing, handwritten lyrics, set lists, tour itinerary, stage props & costumes, paper goods, paintings, sketches, art, concert programmes, concert posters, tickets & stubbs, press kits, photographs, scrap books, Genesis Publications, Osiris, Hapshash & the Coloured Coat, Michael English, Ringo Or Robin, ROR, Apple Boutique items and anything interesting, unusual or downright weird.

Gold, Silver & Platinum Record Awards – Certified BPI, RIAA, IFPI or SNEP, authentic in-house variants, Grammy, Ivor Novello, ASCAP, publishing, plaques, shields, trophies, certificates & citations

Original 60s & 70s vinyl record pressings by The Beatles, John Lennon, Paul McCartney, George Harrison, Ringo Starr, Marc Bolan / T-Rex, David Bowie, Eric Clapton / Cream, Bob Dylan, Elvis Presley, Fleetwood Mac, Genesis, Jimi Hendrix, Led Zeppelin, Pink Floyd, Queen, Rolling Stones, Bruce Springsteen, Velvet Underground, The Who, Neil Young, Frank Zappa and thousands more always required.

Jazz vinyl LPs by Miles Davis, John Coltrane, Dave Brubeck, Paul Gonsalves, Herbie Hancock, Art Pepper, Tina Brooks, Thelonious Monk, Jackie McLean, Shelly Manne, Sonny Clark, Cannonball Adderley, Sonny Stitt, Zoot Simms, Kenny Drew, Duke Pearson, Dexter Gordon, Charlie Parker, Dizzy Gillespie, Don Ellis, Lennie Niehaus, Kenny Clarke, Francy Boland, Donald Byrd, Hank Mobley, Horace Silver

British Jazz vinyl LPs by Neil Ardley, Gordon Beck, Bill le Sage, Ronnie Ross, Ian Carr, Jeff Clyne, Tony Coe, Mike Cotton, Michael Garrick, Michael Gibbs, Joe Harriott, John Mayer, Tubby Hayes, Allan Holdsworth, John McLaughlin, Harold McNair, Dudley Moore, Dick Morrissey, Mike Osborne, Stan Tracey, Tony Oxley, Don Rendell, Ronnie Scott, Victor Feldman, John Surman, Keith Tippett, Julie Tippett, Mike Westbrook

Pop record collections by Abba, Kate Bush, Mariah Carey, Duran Duran, Kylie Minogue, Madonna, Pet Shop Boys, Spice Girls, U2

Punk, New Wave & Alternative collections by Blur, The Clash, The Cure, The Damned, Depeche Mode, The Jam / Paul Weller, Japan, David Sylvian, Joy Division, New Order, Nirvana, Oasis, Ramones, Sex Pistols, Siouxsie & The Banshees, The Smiths, Morrissey, U2, Bono, The Edge, XTC

Rock & Metal collections by AC/DC, Black Sabbath, Ozzy Osbourne, Bon Jovi, Deep Purple, Hawkwind, Iron Maiden, Metallica, Motorhead, Rush, ZZ Top

Genres - 60s, 70s, 80s, 90s, Pop, Beat, Rock, Progressive, Psychedelic, Freakbeat, Krautrock, Heavy Metal, Indie, Jazz (modern, be-bop, avant garde, Britjazz), Funk, Fusion, Blues, Soul, R&B, Punk, New Wave, Mod, 2-Tone, Ska, Reggae, Folk, Italo Disco, Library, Motown.

Labels - 4AD, A&M, ABC, Ace, Apple, Argo, Arista, Atco, Atlantic, Audio Lab, BBC, Bell, Bethlehem, Blue Horizon, Blue Note, Bronze, Brunswick, Buddah, Cadet, Capitol, Carnaby, Casablanca, CBS, Charisma, Chess, Chrysalis, Columbia, Contemporary, Coral, Cotillon, Dandelion, Dark Horse, Dawn, Decca, Deram, Disneyland, Dot, Dunhill, Elektra, Emarcy, Ember, EMI, Epic, Factory, Fantasy, Fontana, Geffen, Gordy, Harmony, Harvest, HMV, Immediate, Impulse!, Island, Kama Sutra, KPM, Liberty, London, Mainstream, Marmelade, MCA, Mercury, MGM, Monument, Motown, Neon, Odeon, Page One, Paramount, Parlophone, Philips, Planet, Polydor, Portrait, Prestige, Pye, Rare Earth, RCA, Regal Zonophone, Reprise, Ring O’, Riverside, Rolling Stone, Roulette, Savoy, Sire, Spark, Stax, Straight, Sue, Sun, Swan, Tamla, Threshold, Transatlantic, Tollie, Tower, Track, United Artists, Universal, Vanguard, Vee Jay, Vertigo swirl, Vertigo spaceship, Verve, Virgin, Volt, Warner, ZTT & etc. If we missed some, we probably need those too.

Swap your records for store credit.

Top Prices paid for MINT condition originals !

WHY SELL TO US?


Our experienced team of buyers has been sourcing records, CDs and music memorabilia collections for over 25 years - we like to keep things simple. We’re keen to purchase your quality collectables or second-hand vinyl records and CD's wherever you may be.

We will be pleased to quote for your mint condition items and we love to buy complete collections.

Sell to us with complete confidence and safety - we even refund your postage. If you have a large or valuable collection we can arrange to visit you.

No fees, no negative feedback, no excuses, no fuss. We buy outright and pay immediately.

We are a better than a Abinger Hammer high street record shop, independent record shop, record fair or any other place to sell your records in a Market, Town Centre or Abinger Hammer Shopping Centre, Center or Mall and we will pay more than a Abinger Hammer HMV, Our Price, Zavvi, Fopp, Virgin or Rough Trade shop. We buy unwanted Christmas / Xmas / Birthday gifts & presents from the 1960s, 1970s, 1980s, 1990s, 2000s and 2010s.

We are the world leader of online sellers & record dealers so make money and cash in on a collectable or blue chip record which has gathered dust for years

We also buy Records and CD collections in house clearances and from dead or deceased relatives in the North, South, East and West of Surrey


Our UK office is located in Kent although we travel worldwide. We have international offices located in Las Vegas USA, and Hiroshima City, Japan. We travel extensively to buy rare items and large collections.

Call us first on the numbers below if you have a collection to sell, or e-mail a detailed description of the items you have. Don’t delay… you may be surprised at what your records are worth!

INSTANT CASH WAITING TODAY


Remember, we will travel to Abinger Hammer in Surrey to buy your Rare Records, CDs and Pop Memorabilia and we are buying in all of the following local Abinger Hammer areas below.

Including all of the Surrey boroughs and district areas Elmbridge, Epsom and Ewell, Guildford, Mole Valley, Reigate and Banstead, Runnymede, Spelthorne, Surrey Heath, Tandridge, Waverley, Woking.

CONTACT US


E-mail - buyers@991.com

Call FREE in the UK 0800 345 7551 | From outside the UK +44 (0)1474 815099

Contact our buyers direct on the following numbers:

Syd Franklin | UK +44(0)1474 816047
Queen, 70's Rock, any other Rock and Jethro Tull a speciality.

Mark Evetts | UK +44(0)1474 816064
Hendrix, Who, Queen, 70s, 80s, 90s Pop, Rock, Indie, Alternative, Metal, Punk, New Wave & Football expert.

Richard Austin | UK +44 (0)1474 816052
Our resident hippy - Art Pepper to Frank Zappa, via Tori Amos & Hawkwind.

Julian Thomas | UK +44 (0)1474 816069
60s & 70s, Beatles, Stones, Zep, Jazz vinyl collections - British, Modern & Avant Garde.

Rich Wilson | UK +44 (0)1474 816059
Jazz, Funk, Disco - strange & unusual preferred.

In Japan you can contact:
Yashuhiko Yashiki Tel / Fax - 0081-82-245-8830
email - Yashiki

Our postal address is:

991 Buyers
The Nine Nine One Building
Railway Sidings
Meopham
Kent DA13 0YS
England

A FEW OF THE MOST RECENT ITEMS WE WANT...


PAUL MCCARTNEY AND WINGS Tug Of War (2017 UK 12-track LP, the classic 1982 album pressed on 180-gram audiophile vinyl, produced by George Martin. Picture sleeve still in it's original custom shrink. This copy remains in beautifully near mint condition)

Tracklisting: Tug Of War Take It Away Somebody Who Cares What's That You're Doing? Here Today Ballroom Dancing The Pound Is Sinking Wanderlust Get It Be What You See (Link) Dress Me Up As A Robber Ebony And Ivory
VARIOUS One Giant Leap (Rare 1983 UK private press 25-track double LP compilation, packed with superb Minimal Synth/Post-Punk/DIY obscurities & one-off British groups of the early eighties just waiting to be discovered! Comes housed in a unique single pocket picture sleeve. The sleeve & vinyl remain in superb Excellent condition with minimal wear & play INTEL5)

Tracklisting: Taken from the back of the cover: For years I let the major record companies dictate my tastes, but with the upsurge of the independents and a go-it-alone approach from many bands, I've become highly interested in the acts the majors might or won't sign. All too often dazzling gems of pure pop passion get left behind outfits, while new fashions and trends race ahead of the majors, constantly indicating the type of acts the A&R departments will be looking for in the next few months. Occasionally the indie market re-dresses the balance, bringing forward acts worthy of consideration, sometimes tied in or even at the forefront of a blossoming fad, but nearly always these acts are genuinely new and highly interesting. Problem is that the indies lack finance. They can often push a new act into the public eye, but from ten on luck is still the name of the game. And then there are the demo tapes sent in by the thousands of hopeful musicians up and down the country – the untapped pool of talent that the majors should listen to thoroughly before signing up the latest darlings of the pop world. A lot of demos are diabolical – I've listened to enough to convince me of this – but just occasionally a song bursts out of the cassette deck gleaming with pop fury and grinning with obvious potential. The band or artiste might look wrong, but the basics are there, and that's what's important. "One Giant Leap" is an ambitious collection of demos from bands and solo artistes who are currently not signed to either major or indie record labels. Doubtless not all of the stuff that's containes within these precious grooves will be to your taste, but does show an intriguing and diverse display of pop talent, some of which deserves to be signed immediately. I have some personal favourites on this double album. 5D – a six piece from Lewisham – show great promise with a bustling, lively song called "Run For Cover", while Negatives In colours offer intriguing synth diversions and a quirky hook with "Love Amongst The Buildings". Then there's Alias – a talented one man team – who turns in the beautifully crafted, well produced and bubbling " Sound Of The City", while Darshan – a Welsh five-piece – are spot on with the delicate and involved "Not This Time". My favourite demo is "Vice" by Dave Vaughan (ex-DT's and 57 Men Overboard). Check that harp, the odd synthy/R&B undertones and the eerie, warbling hook. Great stuff! "One Giant Leap" will hopefully be a stepping stone for many of these acts. Keep your ears peeled. Paul Strange, Melody Maker Special thanks to Lisa McCaffery & Lisa Batt. Published by Toast. Except A5 published by Sparta Florida. ? 101 International 1983. A1 Minus-1* – On The Other Side A2 5D (2) – Run For Cover A3 The Organisation (3) – I Saw It With My Own Two Eyes A4 Junk (12) – Lay Heads Together A5 Negatives In Colour - Love Amongst The Buildings A6 Ulterior Motives – Breaking The Law A7 Low Profile (4) – Pretty Pictures B1 Steve Braun's Universe – Young Lovers B2 Alias (33) – Sound Of The City B3 Fear Of The Dark – Liberty B4 Sean Burke (2) – Dance With Danger B5 Billy Stewart (2) – Jaded Eyes B6 Prime Force (2) – Wrong Side Of Life C1 Rajan James – Impossible Dreams C2 Syco & The Newyorkers* – Slipaway C3 Z-19 (2) – The Night Is Still Young C4 Alexis Pope (2) – Loves Our Song C5 Nadia (18) – Vive Le Guitar C6 Partners In Crime (9) – Tell Me Now D1 Darshan (2) – Not This Time D2 Cry So Hard – Carried Away D3 Talk Back – Guessing Games D4 No Sympathy (2) – Sharing Names D5 Dave Vaughan – Vice D6 Sleepwalker (18) – Loki
BLOOD SWEAT & TEARS Blood, Sweat & Tears (UltraDisc One-Step Super Vinyl Pressing 2-LP set at 45 RPM, an ultra-hi-fi reference recording by Mobile Fidelity Sound Lab. This opulent box set is the ultimate version of Blood, Sweat & Tears'second album, with lavish packaging and special Foil-Stamped sleeves. Each box individually numbered on the reverse, brand new & factory sealed!)

Tracklisting: MASTERED FROM THE ORIGINAL MASTER TAPES WITH MOBILE FIDELITY'S ONE-STEP PROCESS: DELUXE AUDIOPHILE PRESSING LIMITED TO 6,000 NUMBERED COPIES Don't call it a comeback. Not only did Blood, Sweat & Tears' eponymous album establish new precedents for musical fusion and record production upon release in late 1968, the quadruple-platinum set marked a new commercial beginning for a cross-cultural group nearly decimated months earlier when its prominent co-founder, Al Kooper, departed along with two other members. The resultant sophomore effort simply went on to top the charts for seven straight weeks, earn the Grammy Award for Album of the Year, spawn three successive Top 5 singles, and land the group a headlining slot at Woodstock. No wonder its reputation remains golden among listeners, particularly audiophiles, which have never experienced the hybrid fare in more vibrant fashion than on this collectible reissue. Tracklisting: A1. Variations on a Theme by Erik Satie (1st and 2nd Movements) A2. Smiling Phases A3. Sometimes in Winter B1. More and More B2. And When I Die B3. God Bless the Child C1. Spinning Wheel C2. You've Made Me So Very Happy D1. Blues – Part II D2. Variations on a Theme by Erik Satie (1st Movement) Limited to 6,000 numbered copies and pressed on MoFi SuperVinyl at RTI, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step 180g 45RPM 2LP edition presents Blood, Sweat & Tears with exacting sonics and unsurpassed visuals. Prized for decades for its rainbow of textures, colors, and openness – as well as the tonalities, extension, and subtleties associated with the horn section – Blood, Sweat & Tears now comes across with multi-dimensional scope and tremendous frequency responsiveness. The collective's genre-bending brass and woodwind instrumentation possess pointillistic details as rich, deep, and complex as a succulent Turkish espresso. Similarly, the originality, sophistication, and melodicism of the songs – anchored by Jim Fielder's can-do-anything bass playing – emerges with a newfound warmth, realism, and presence that surpass those even on the out-of-print ORG 45RPM reissue. Such is the allure of UD1S and MoFi SuperVinyl. In addition, the lavish packaging and gorgeous presentation of the UD1S Blood, Sweat & Tears pressing also befit its extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, pored over, touched, and examined. It is made for discerning listeners who prize sound quality and production, and who desire to fully immerse themselves in the art – and everything involved with the album, from the images to the finishes. Speaking of these critical aspects, it remains obvious producer James William Guercio valued them above all else when he manned the boards for the sessions. Working with engineer Roy Halee and the band's sensitive arrangements – including that for the Number Two smash "You've Made Me So Very Happy," co-arranged by Kooper – he helped spin the nonet's melange of classical, jazz, rock, folk, and blues into pop gold. Ignoring any stylistic boundaries, and preceding Chicago's similarly jazz-rock-centric debut by almost four months, the album interrupted formal convention and went against the grain of the era's dominant psychedelia. Along with creative interpretations of tunes by Traffic, Laura Nyro, and more, and fearless interplay of horns and keyboards, a key to the effort's mega-success and sterling reputation remains the vocals of David Clayton-Thomas. Reportedly discovered by Judy Collins, Clayton-Thomas brings a soulfulness and drama to the palette absent from the first album. His baritone emerges front and center on the country-leaning "And When I Die" and syncopated "Smiling Phases." The singer's multifaceted ability complements his colleagues deft approaches to tempo, transition, and tension, with solos dovetailing with jazz-derived segues to produce music that's at once elaborate, eclectic, and accessible – never better represented than on the thrice Grammy-nominated "Spinning Wheel," a sly takedown of the LSD-addled era that ends with an Austrian tune from 1815 added at the last minute by Guercio to correct a mistake – a one-off error on a set that seemingly has none other. Indeed, the most enduring appeal of Blood, Sweat & Tears pertains to the cohesive performances of a group that blazed its own trail. To focus on the playing of trumpeters/flugelhornists Lew Soloff and Chuck Winfield, drummer Bobby Colomby, organist Dick Halligan, guitarist Steve Katz, alto saxophonist Fred Lipsius, trombonist Jerry Hyman, and the aforementioned Clayton-Thomas and Fielder (many of whom also played auxiliary instruments) is to experience one of pop music's remarkable adventures. *** Already sold out at Mobile Fidelity! *** ...

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