BILL EVANS AND TOOTS THIELEMANS Affinity (1979 Japanese 9-track sample promotional white Warner label vinyl LP featuring the duo backed by Eliot Zigmund [Drums] and Larry Schneider [Saxophone/Alto Flute] as well as a debut appearance from MarcJohnson [Acoustic Bass], recorded in 1978. An interesting longplayer as it marks the last album Mr Evans uses the electric piano! Pasted card picture sleeve complete with Japanese insert and obi-strip P-10634W) more...
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BILL EVANS New Jazz Conceptions (2009 UK issue 11-track LP pressed on 180gram VINYL, his debut album originally issued in 1956, released after Riverside Records agreed to record him after a friend played Evans’ demo tape over the telephonefor one of the producers, two years later the young Evans would already be playing in the legendary Miles Davis sextet!) more...
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BILL EVANS New Jazz Conceptions (1958 US 2nd issue of the 1955 11-track LP, front laminated pasted picture sleeve. The sleeve has been reinforced wth tape at the edges but is otherwise in nice condition & the vinyl has only a few light marks to show for its fifty years. This LP has come from the vast personal collection of the former Director of Publicity & Marketing for Blue Note in the USA & has been stamped & annotated on the back of the sleeve as being part of his Jazz Archive - A true piece of Jazz history! RLP12-223) more...
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BILL EVANS (PIANO) Trio '65 (Acoustic Sounds Verve Series limited ediiton 8-track LP mastered by Ryan K. Smith at Sterling Sound from the original analogue tapes, pressed on 180-gram vinyl at Quality Record Pressings. Evans is joined hereby bassist Chuck Israels and drummer Larry Bunker for this 1965 recording, including the heart-wrenching Who Can I Turn To? alongside If You Could See Me Now and Johnny Carisi's Israel. High quality gatefold picture replicating the original more...
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BILL EVANS At The Montreux Jazz Festival (2023 Analogue Productions limited edition 9-track stereo LP pressed on 180-gram vinyl at 33RPM by QRP, mastered from the original tapes by Bernie Grundman. Recorded June 15, 1968 at the Casino de Montreux, Switzerland this album occupies a unique place in the Bill Evans discography. It's the only album to document drummer Jack deJohnette's too-short stay in the trio. The trio's performance on this album won them the 1969 Grammy for Best Jaz more...
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BILL EVANS At The Montreux Jazz Festival (2021 limited edition Analogue Productions 9-track stereo 2-LP, a 180-gram pressing by Quality Record Pressings now at 45RPM, cut by Matthew Lutthans at The Mastering Lab on the late Doug Sax's cutting gear. Bill's sparkling performance alongside Eddie Gomez and Jack DeJohnette, first released on Verve in 1968. This dead-quiet double-LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as thewide more...
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BILL EVANS TRIO Trio '65 (Acoustic Sounds Verve Series limited ediiton 8-track LP mastered by Ryan K. Smith at Sterling Sound from the original analogue tapes, pressed on 180-gram vinyl at Quality Record Pressings. Evans is joined hereby bassist Chuck Israels and drummer Larry Bunker for this 1965 recording, including the heart-wrenching Who Can I Turn To? alongside If You Could See Me Now and Johnny Carisi's Israel. High quality gatefold picture replicating the original artwor more...
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BILL EVANS Some Other Time: The Lost Session From The Black Forest (Deluxe Edition 9-track double album 2-LP pressed on 200-gram HD Vinyl at 45RPM, mastered by René Laflamme at 2xHD on Nagra equipment with vacuum tube tape head, cut allanalogue at Bernie Grundman Mastering. Recorded at MPS Studios in Villingen, Germany on June 20th, 1968, with Eddie Gomez and Jack DeJohnette. Gatefold picture sleeve, factory sealed. Sublime!) more...
In stock. Order now for shipping on Monday 19th August