click an image to view larger
|
|
Tracklisting & More Information
Trident Studios
Trident Studios was a British recording facility, located at 17 St Anne's Court in London's Soho district between 1968 and 1981. It was constructed in 1967 by Norman Sheffield, drummer of the 1960s group the Hunters, and his brother Barry.
"My Name is Jack" by Manfred Mann was recorded at Trident in March 1968, and helped launch the studio's reputation. Later that year, the Beatles recorded their song "Hey Jude" there and part of their self-titled double album (also known as the "White Album"). Other well-known albums and songs recorded at Trident include Elton John's "Your Song", David Bowie's The Rise and Fall of Ziggy Stardust and the Spiders from Mars, Lou Reed's Transformer, Carly Simon's No Secrets, and Queen's albums Queen, Queen II and Sheer Heart Attack.
Other artists recorded at Trident included the Bee Gees, Chris de Burgh, Frank Zappa, Genesis, Brand X, James Taylor, Joan Armatrading, Joe Cocker, Golden Earring, Harry Nilsson, Kiss, Tygers of Pan Tang, Lou Reed, Peter Gabriel, Marc Almond, Marc and the Mambas, Soft Cell, Rick Springfield, the Rolling Stones, Rush, Free, Thin Lizzy, Tina Turner, T.Rex, Van der Graaf Generator, Yes and John Entwistle.
More Details On Acetates
An acetate is a transitional stage between the master tape and the finished vinyl record.
Originally acetates were used for home recording in the days before tape recorders, but since the advent of cassette tape & CDR are now no longer used for providing bands & their entourage copies of today's studio efforts. A machine actually cuts the grooves into the acetate like a lathe.
The acetate is used to assess whether the music has been successfully transferred to disc. It is checked by the sound engineer. There may be only one copy made of a particular recording, sometimes more are cut and sent to the studio and band members for approval.
The acetate comes before making the master, and allows the sound to be checked without great expense.
It is unusual for more than a dozen to be manufactured, so from the collector's point of view an acetate is a rare find indeed! If the recording is rejected the acetate may be the only record that survives. The rejected cut may simply be poor quality, however the artist may have opted to use a different take of the song, if so, the acetate becomes much more precious.
An incredible find - possibly unique - and certainly one of only a handful.
This copy is also in amazing pristine condition.
ACETATE
|