BILL EVANS You're Gonna Hear From Me (1988 German 9-track vinyl LP, recorded at the Jazzhus Montmartre (Store Regnegade), Copenhague, Denmark on November the 24th, 1969, with Eddie Gomez on bass & Marty Morell, drums. The picture sleeve shows little of its age & the vinyl looks barely played M-9164) more...
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BILL EVANS You're Gonna Hear From Me (1988 German 9-track LP, recorded at the Jazzhus Montmartre (Store Regnegade), Copenhague, Denmark on November the 24th, 1969, with Eddie Gomez on bass & Marty Morell, drums. The picture sleeve shows little ofits age & the vinyl looks barely played MX9164) more...
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BILL EVANS You're Gonna Hear From Me (1988 US 9-track vinyl LP, recorded at the Jazzhus Montmartre (Store Regnegade), Copenhagen, Denmark on November the 24th, 1969, with Eddie Gomez on bass & Marty Morell, drums. The deletion hole-cut picturesleeve shows a little creasing to corners and is still sealed, therefore the contents are Mint M-9164) more...
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BILL EVANS & JIM HALL Undercurrent (1962 US first issue of the classic 6-track mono LP on the 'bendy sax player' label, that sees the almost telepathic relationship between the guitar of Jim Hall & the Piano of Bill Evans take root and grow, textured pasted gatefold picture sleeve with the classic Toni Frissell picture from 1947 as the cover art. The sleeve shows a lot less shelfwear than is usual for this design, with just a little edge scuffing & minimal general shelfwear. The vinyl more...
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BILL EVANS TRIO Portrait In Jazz (2003 US 11-track stereo gold Hybrid SA-CD [Super Audio CD - playable on all SACD and CD players], the greatest sounding CD issue of this masterpiece out there, expanded to include two bonus tracks including an alternate take of Blue In Green & a mono version of Autumn Leaves. Quite simply an essential addition to any audiophile collection RISA-1162-6) more...
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BILL EVANS & JIM HALL Undercurrent (90s US issue of the 1962 6-track LP on a repro 'bendy sax player' label, that sees the almost telepathic relationship between the guitar of Jim Hall & the Piano of Bill Evans take root & grow. The glossy gatefold sleeve has the reproduced Toni Frissell picture from 1947. The cover shows just a little mild wear & the vinyl reveals light evidence of play only UAJ14003) more...
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BILL EVANS & JIM HALL Undercurrent (1963 Japanese first issue of the classic 6-track stereo LP on the 'bendy sax player' label, that sees the almost telepathic relationship between the guitar of Jim Hall & the Piano of Bill Evans take root andgrow, unique fully silk laminated scalloped flipback picture sleeve variant with the classic Toni Frissell picture from 1947 as the cover art & Japanese sleeve notes on the reverse. Dating from February 1963, the flimsy sleeve shows very litt more...
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BILL EVANS Alone (1969 US 5-track stereo vinyl LP, an up close and personal solo outing from Evans, featuring On A Clear Day You Can See Forever and the deep and side-long Never Let Me Go, textured pasted picture sleeve. The sleeve shows just a little light shelfwear & a bit of edge scuffing, with the vinyl remaining near 'as new' V6-8792) more...
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BILL EVANS Alone (1970 UK 5-track stereo LP, an up close & personal solo outing from Evans, featuring On A Clear Day You Can See Forever & the deep & side-long Never Let Me Go, front laminated flipback picture sleeve. The sleeve [VG+] reveals alittle faint ring & edge wear & the vinyl is clean & in Excellent condition with merely the odd faint paper scuff not affecting play SVLP9251) more...
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BILL EVANS TRIO Trio '65 (Acoustic Sounds Verve Series limited ediiton 8-track LP mastered by Ryan K. Smith at Sterling Sound from the original analogue tapes, pressed on 180-gram vinyl at Quality Record Pressings. Evans is joined hereby bassist Chuck Israels and drummer Larry Bunker for this 1965 recording, including the heart-wrenching Who Can I Turn To? alongside If You Could See Me Now and Johnny Carisi's Israel. High quality gatefold picture replicating the original ar more...
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