THE BRIAN JONESTOWN MASSACRE Australian Tour Poster (2008 Australian exclusive limited edition poster, produced for the group's August 2008 shows in Brisbane, Sydney & Melbourne, featuring a superb graphic image by artist Ken Taylor of anenormous lava lamp filled with eerie blue jellyfish! Hand signed and numbered by Ken, the poster measures approx 16" x 27", and would be ideal for framing!) ** Limited to 250 copies! ** more...
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THE BRIAN JONESTOWN MASSACRE Fist Full Of Bees (2013 UK Limited Edition 3-track 12" EP, released exclusively for Record Store Day, pressed on Purple Vinyl, also including Food For Clouds and Everything Fades To White. The individually numbered picture sleeve has minimal wear and the vinyl looks near as new AUK025)
**Limited to 2000 Copies Only** more...
Last copy in stock. Order now for shipping on Tuesday 16th July

THE BRIAN JONESTOWN MASSACRE Thank God For Mental Illness (2017 UK/EU limited edition 12-track LP pressed 180-gram Heavyweight Vinyl, a reissue of their 1996 fifth studio album which displays influences from 1960s psychedelic music, departingfrom the band's earlier shoegaze sound and was recorded at their San Francisco home studio on 11th July 1996 with the budget of $17.36. The picture sleeve shows minimal shelfwear and comes with the printed inner and the vinyl looks barely play more...
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THE BRIAN JONESTOWN MASSACRE Bringing It All Back Home - Again (Sealed 2009 UK limited edition 6-track LP pressed on 180gram Vinyl, originally released in 1999, a classic slice of neo-country-rock-psych, comparable to that of their previous 'Thank God for Mental Illness' - mostly acoustic and country-tinged, reminiscent [as the title suggests] of the period when Bob Dylan was making the transition from acoustic to electric material, as well as the sort of country shuffles that more...
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THE BRIAN JONESTOWN MASSACRE Bringing It All Back Home - Again (Original 1999 US 6-track CD - a classic slice of neo-country-rock-psych, comparable to that of their previous 'Thank God for Mental Illness' - mostly acoustic and country-tinged,reminiscent [as the title suggests] of the period when Bob Dylan was making the transition from acoustic to electric material, as well as the sort of country shuffles that poppedup on some late 60s/early 70s Stones records. Issued in a digipak p more...
Currently Unavailable - You can request the next copy of this item