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AN AROUND-THE-WORLD GUIDE TO CHRIS HARWOOD VINYL RECORD, CDs & MEMORABLIA WE WANT TO BUY...
We will buy or trade most CDs, vinyl LP, 7”, 12” records and memorabilia from most countries, especially the following...
UK
vinyl LP, red vinyl, blue vinyl, clear vinyl...
Top release decades
2000s, 1970s...
Top music labels
Finders Keepers Records, Birth...
Top barcodes
5060099500091...
Top catalogue numbers
RAB1, FKR005LP...
Top titles
Nice To Meet Miss Christine...
Top wanted titles
Other artist names
...
Related artists
Chris Harwood...
A FEW OF THE ITEMS WE WANT...
 | CHRIS HARWOOD Nice To Meet Miss Christine (Extremely rare
1970 UK 9-track LP that has since become one of the most
coveted female solo folk albums of all time, textured picture
sleeve. This copy remains in wonderful condition RAB1)
See 'More Info' for further details ...
Tracklisting: This was the one and only release by the British songbird, produced by Mark Plummer & Miki Dallon for the tiny Birth label imprint. Alongside Vertigo’s obscure Linda Hoyle LP, late period Transatlantic releases such as CMU’s Space Cabaret and Julie Covington’s early solo LP Beautiful Changes, it remains one of the most sought after English female folk rock records ever released.
This was the first release on Miki Dallon's short lived Birth label, which itself was a subsidiary of Young Blood & distributed through CBS.
This was no beginner's album though, for Christine had already established a name for herself with gigs at Rick Wakeman's rock pub 'Brewer's Droop' in London. To make the album, a noteworthy cast of quality musicians were assembled including original Yes guitarist Peter Banks, future Strawb Dave Lambert, Joe Cocker's Hammond Organist Tommy Eyre, Saxes by King Crimson's Ian McDonald, Drums by journalist Chris Welsh playing under the pseudonym J. Kay Boots, Roger Sutton from The Trinity and even the group Design providing backing vocals as 'The Designettes'.
The album was given almost no publicity and disappeared with little more than a whimper, much like some of its contemporaries, making it now the stuff of legend and greatly desired but seldom found.
Condition
The textured picture sleeve remains white with just a little evidence of handling at the edges & some light shelfwear providing an above average vintage look. The spine and all text remains easily readable.
The wonderful design Birth labels are clean and bright.
The vinyl itself is astonishing with just one light surface scuff visible on side one to show for its forty five years in the wild. This has absolutely no effect on play whatsover.
The vinyl shows little sign of play & remains near 'as new'.
An incredible copy of this extremely rare album !
Tracklisting:
Mama
Crying To Be Heard
Wooden Ships
Ain't Gonna Be Your Slave
Question Of Time
Gotta Do My Best
Before You Right Now
Never Knew What Love Was
Flies Like A Bird | | CHRIS HARWOOD Nice To Meet Miss Christine (Extremely rare
1970 UK 9-track LP that has since become one of the most
coveted female solo folk albums of all time, textured picture
sleeve. This copy remains in wonderful condition RAB1)
See 'More Info' for further details ...
Tracklisting: This was the one and only release by the British songbird, produced by Mark Plummer & Miki Dallon for the tiny Birth label imprint. Alongside Vertigo’s obscure Linda Hoyle LP, late period Transatlantic releases such as CMU’s Space Cabaret and Julie Covington’s early solo LP Beautiful Changes, it remains one of the most sought after English female folk rock records ever released.
This was the first release on Miki Dallon's short lived Birth label, which itself was a subsidiary of Young Blood & distributed through CBS.
This was no beginner's album though, for Christine had already established a name for herself with gigs at Rick Wakeman's rock pub 'Brewer's Droop' in London. To make the album, a noteworthy cast of quality musicians were assembled including original Yes guitarist Peter Banks, future Strawb Dave Lambert, Joe Cocker's Hammond Organist Tommy Eyre, Saxes by King Crimson's Ian McDonald, Drums by journalist Chris Welsh playing under the pseudonym J. Kay Boots, Roger Sutton from The Trinity and even the group Design providing backing vocals as 'The Designettes'.
The album was given almost no publicity and disappeared with little more than a whimper, much like some of its contemporaries, making it now the stuff of legend and greatly desired but seldom found.
Condition
The textured picture sleeve remains white with just a little evidence of handling at the edges & some light shelfwear providing an above average vintage look. The spine and all text remains easily readable.
The wonderful design Birth labels are clean and bright.
The vinyl itself is astonishing with just one light surface scuff visible on side one to show for its forty five years in the wild. This has absolutely no effect on play whatsover.
The vinyl shows little sign of play & remains near 'as new'.
An incredible copy of this extremely rare album !
Tracklisting:
Mama
Crying To Be Heard
Wooden Ships
Ain't Gonna Be Your Slave
Question Of Time
Gotta Do My Best
Before You Right Now
Never Knew What Love Was
Flies Like A Bird | | CHRIS HARWOOD Nice To Meet Miss Christine (Extremely rare
1970 UK 9-track LP that has since become one of the most
coveted female solo folk albums of all time, textured picture
sleeve. This copy remains in wonderful condition RAB1)
See 'More Info' for further details ...
Tracklisting: This was the one and only release by the British songbird, produced by Mark Plummer & Miki Dallon for the tiny Birth label imprint. Alongside Vertigo’s obscure Linda Hoyle LP, late period Transatlantic releases such as CMU’s Space Cabaret and Julie Covington’s early solo LP Beautiful Changes, it remains one of the most sought after English female folk rock records ever released.
This was the first release on Miki Dallon's short lived Birth label, which itself was a subsidiary of Young Blood & distributed through CBS.
This was no beginner's album though, for Christine had already established a name for herself with gigs at Rick Wakeman's rock pub 'Brewer's Droop' in London. To make the album, a noteworthy cast of quality musicians were assembled including original Yes guitarist Peter Banks, future Strawb Dave Lambert, Joe Cocker's Hammond Organist Tommy Eyre, Saxes by King Crimson's Ian McDonald, Drums by journalist Chris Welsh playing under the pseudonym J. Kay Boots, Roger Sutton from The Trinity and even the group Design providing backing vocals as 'The Designettes'.
The album was given almost no publicity and disappeared with little more than a whimper, much like some of its contemporaries, making it now the stuff of legend and greatly desired but seldom found.
Condition
The textured picture sleeve remains white with just a little evidence of handling at the edges & some light shelfwear providing an above average vintage look. The spine and all text remains easily readable.
The wonderful design Birth labels are clean and bright.
The vinyl itself is astonishing with just one light surface scuff visible on side one to show for its forty five years in the wild. This has absolutely no effect on play whatsover.
The vinyl shows little sign of play & remains near 'as new'.
An incredible copy of this extremely rare album !
Tracklisting:
Mama
Crying To Be Heard
Wooden Ships
Ain't Gonna Be Your Slave
Question Of Time
Gotta Do My Best
Before You Right Now
Never Knew What Love Was
Flies Like A Bird | | CHRIS HARWOOD Nice To Meet Miss Christine (Extremely rare
1970 UK 9-track LP that has since become one of the most
coveted female solo folk albums of all time, textured picture
sleeve. This copy remains in wonderful condition RAB1)
See 'More Info' for further details ...
Tracklisting: This was the one and only release by the British songbird, produced by Mark Plummer & Miki Dallon for the tiny Birth label imprint. Alongside Vertigo’s obscure Linda Hoyle LP, late period Transatlantic releases such as CMU’s Space Cabaret and Julie Covington’s early solo LP Beautiful Changes, it remains one of the most sought after English female folk rock records ever released.
This was the first release on Miki Dallon's short lived Birth label, which itself was a subsidiary of Young Blood & distributed through CBS.
This was no beginner's album though, for Christine had already established a name for herself with gigs at Rick Wakeman's rock pub 'Brewer's Droop' in London. To make the album, a noteworthy cast of quality musicians were assembled including original Yes guitarist Peter Banks, future Strawb Dave Lambert, Joe Cocker's Hammond Organist Tommy Eyre, Saxes by King Crimson's Ian McDonald, Drums by journalist Chris Welsh playing under the pseudonym J. Kay Boots, Roger Sutton from The Trinity and even the group Design providing backing vocals as 'The Designettes'.
The album was given almost no publicity and disappeared with little more than a whimper, much like some of its contemporaries, making it now the stuff of legend and greatly desired but seldom found.
Condition
The textured picture sleeve remains white with just a little evidence of handling at the edges & some light shelfwear providing an above average vintage look. The spine and all text remains easily readable.
The wonderful design Birth labels are clean and bright.
The vinyl itself is astonishing with just one light surface scuff visible on side one to show for its forty five years in the wild. This has absolutely no effect on play whatsover.
The vinyl shows little sign of play & remains near 'as new'.
An incredible copy of this extremely rare album !
Tracklisting:
Mama
Crying To Be Heard
Wooden Ships
Ain't Gonna Be Your Slave
Question Of Time
Gotta Do My Best
Before You Right Now
Never Knew What Love Was
Flies Like A Bird | | CHRIS HARWOOD Nice To Meet Miss Christine (Extremely rare
1970 UK 9-track LP that has since become one of the most
coveted female solo folk albums of all time, textured picture
sleeve. This copy remains in wonderful condition RAB1)
See 'More Info' for further details ...
Tracklisting: This was the one and only release by the British songbird, produced by Mark Plummer & Miki Dallon for the tiny Birth label imprint. Alongside Vertigo’s obscure Linda Hoyle LP, late period Transatlantic releases such as CMU’s Space Cabaret and Julie Covington’s early solo LP Beautiful Changes, it remains one of the most sought after English female folk rock records ever released.
This was the first release on Miki Dallon's short lived Birth label, which itself was a subsidiary of Young Blood & distributed through CBS.
This was no beginner's album though, for Christine had already established a name for herself with gigs at Rick Wakeman's rock pub 'Brewer's Droop' in London. To make the album, a noteworthy cast of quality musicians were assembled including original Yes guitarist Peter Banks, future Strawb Dave Lambert, Joe Cocker's Hammond Organist Tommy Eyre, Saxes by King Crimson's Ian McDonald, Drums by journalist Chris Welsh playing under the pseudonym J. Kay Boots, Roger Sutton from The Trinity and even the group Design providing backing vocals as 'The Designettes'.
The album was given almost no publicity and disappeared with little more than a whimper, much like some of its contemporaries, making it now the stuff of legend and greatly desired but seldom found.
Condition
The textured picture sleeve remains white with just a little evidence of handling at the edges & some light shelfwear providing an above average vintage look. The spine and all text remains easily readable.
The wonderful design Birth labels are clean and bright.
The vinyl itself is astonishing with just one light surface scuff visible on side one to show for its forty five years in the wild. This has absolutely no effect on play whatsover.
The vinyl shows little sign of play & remains near 'as new'.
An incredible copy of this extremely rare album !
Tracklisting:
Mama
Crying To Be Heard
Wooden Ships
Ain't Gonna Be Your Slave
Question Of Time
Gotta Do My Best
Before You Right Now
Never Knew What Love Was
Flies Like A Bird |
AWARDS WE WANT TO BUY
We always require Gold, Silver, Platinum and Multi-Platinum awards
on most artists - official B.P.I., R.I.A.A., I.F.P.I., C.R.I.A., S.N.E.P. etc. certified
or genuine in-house variants from around the world. We also need Ivor Novello, B.M.I.,
ASCAP etc. publishing awards, plaques, trophies, certificates and citations.
MEMORABILIA ALWAYS REQUIRED:
Programmes; concert tickets; original concert posters; invites; handbills &
flyers; promotional posters, standees, mobiles, displays & other P.O.S. material;
press kits, boxes & sales presenters; award discs; tour crew jackets & other
clothing; tour itineraries; promotional jackets, t-shirts & other clothing;
original artwork, proofs, colour separations, cromalins, bromides, etc; interesting
paper items, promotional gimmicks & most other memorabilia needed. Also buying:
original film posters; movie press books & press kits; cinema programmes; premiere
invites & programmes; promotional clothing & other items.
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