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AN AROUND-THE-WORLD GUIDE TO JOSEPHINE FOSTER VINYL RECORD, CDs & MEMORABLIA WE WANT TO BUY...
We will buy or trade most CDs, vinyl LP, 7”, 12” records and memorabilia from most countries, especially the following...
UK
vinyl LP, CD album, red vinyl, blue vinyl, clear vinyl...
Top release decades
2020s, 2010s, 2000s...
Top music labels
Fire Records...
Top barcodes
809236164711, 809236142610...
Top catalogue numbers
FIRELP647, FIRELP426, FIRE136...
Top titles
Graphic As A Star + PR, Godmother, All The Leaves Are Gone...
Top wanted titles
Other artist names
Victor Herrero...
Related artists
Josephine Foster...
A FEW OF THE ITEMS WE WANT...
 | JOSEPHINE FOSTER All The Leaves Are Gone (2019 UK/EU
limited edition reissue of the 2004 12-track vinyl LP from the
American vocalist together with her backing band. The picture
sleeve comes with a download code posted and the lyric printed
insert while the vinyl looks barely played)
Tracklisting: In 2004, only the truly informed and forward-thinking heads "got" this mini masterpiece. Critics scratched their heads and usually resorted to comparisons of past artists, like ol Grace Slick and her Great Jefferson Society, Fairport Convention (but which era? SURELY Judy Dyble's early reign?), and at best, Shirley Collins. A few fans attempted to connect the record to even more obscure
"freak folk/rock" like Mellow Candle, Fear Itself, or Trees.
"All the Leaves are Gone" was made by unique personalities not concerned with influences or copying any bygone era. Surely, some things are in our DNA or even early childhood, as Josephine
Foster's roots in opera manifest themselves as much as any other influence in this organic song cycle. Sure, guitarist Brian Goodman may have heard Richard Thompson before, but his alchemical and molten guitar spray is purely his own, in tunings and intervals still not meant for normal humans to understand, mostly because his 2004 guts were poured into every sublime note (I think even Brian himself never even understood how good he was). That fiery emotion is also in every nuance of Foster's songs-- like life, there's disquieting, jagged moments of unease, and there's calm both before and after the storm. There are moments of utter gentleness along the journey---because yes, every concept album should be a voyage, and this is one everyone should take. - Steve Krakow
A1. Well-Heeled Men
A2. The Most Loved One
A3. All The Leaves Are Gone
A4. Nana
A5. Deathknell
A6. Silly Song
B1. Jailbird (Hero Of The Sorrow)
B2. Worried And Sorry
B3. Who Will Feel Bitter At The Days End?
B4. John Ave. Seen From The Gray Train
B5. Don't Wait, Mary Jane
B6. (You Are Worth) A Million Dollars | | JOSEPHINE FOSTER All The Leaves Are Gone (2019 UK/EU
limited edition reissue of the 2004 12-track vinyl LP from the
American vocalist together with her backing band. The picture
sleeve comes with a download code posted and the lyric printed
insert while the vinyl looks barely played)
Tracklisting: In 2004, only the truly informed and forward-thinking heads "got" this mini masterpiece. Critics scratched their heads and usually resorted to comparisons of past artists, like ol Grace Slick and her Great Jefferson Society, Fairport Convention (but which era? SURELY Judy Dyble's early reign?), and at best, Shirley Collins. A few fans attempted to connect the record to even more obscure
"freak folk/rock" like Mellow Candle, Fear Itself, or Trees.
"All the Leaves are Gone" was made by unique personalities not concerned with influences or copying any bygone era. Surely, some things are in our DNA or even early childhood, as Josephine
Foster's roots in opera manifest themselves as much as any other influence in this organic song cycle. Sure, guitarist Brian Goodman may have heard Richard Thompson before, but his alchemical and molten guitar spray is purely his own, in tunings and intervals still not meant for normal humans to understand, mostly because his 2004 guts were poured into every sublime note (I think even Brian himself never even understood how good he was). That fiery emotion is also in every nuance of Foster's songs-- like life, there's disquieting, jagged moments of unease, and there's calm both before and after the storm. There are moments of utter gentleness along the journey---because yes, every concept album should be a voyage, and this is one everyone should take. - Steve Krakow
A1. Well-Heeled Men
A2. The Most Loved One
A3. All The Leaves Are Gone
A4. Nana
A5. Deathknell
A6. Silly Song
B1. Jailbird (Hero Of The Sorrow)
B2. Worried And Sorry
B3. Who Will Feel Bitter At The Days End?
B4. John Ave. Seen From The Gray Train
B5. Don't Wait, Mary Jane
B6. (You Are Worth) A Million Dollars | | JOSEPHINE FOSTER All The Leaves Are Gone (2019 UK/EU
limited edition reissue of the 2004 12-track vinyl LP from the
American vocalist together with her backing band. The picture
sleeve comes with a download code posted and the lyric printed
insert while the vinyl looks barely played)
Tracklisting: In 2004, only the truly informed and forward-thinking heads "got" this mini masterpiece. Critics scratched their heads and usually resorted to comparisons of past artists, like ol Grace Slick and her Great Jefferson Society, Fairport Convention (but which era? SURELY Judy Dyble's early reign?), and at best, Shirley Collins. A few fans attempted to connect the record to even more obscure
"freak folk/rock" like Mellow Candle, Fear Itself, or Trees.
"All the Leaves are Gone" was made by unique personalities not concerned with influences or copying any bygone era. Surely, some things are in our DNA or even early childhood, as Josephine
Foster's roots in opera manifest themselves as much as any other influence in this organic song cycle. Sure, guitarist Brian Goodman may have heard Richard Thompson before, but his alchemical and molten guitar spray is purely his own, in tunings and intervals still not meant for normal humans to understand, mostly because his 2004 guts were poured into every sublime note (I think even Brian himself never even understood how good he was). That fiery emotion is also in every nuance of Foster's songs-- like life, there's disquieting, jagged moments of unease, and there's calm both before and after the storm. There are moments of utter gentleness along the journey---because yes, every concept album should be a voyage, and this is one everyone should take. - Steve Krakow
A1. Well-Heeled Men
A2. The Most Loved One
A3. All The Leaves Are Gone
A4. Nana
A5. Deathknell
A6. Silly Song
B1. Jailbird (Hero Of The Sorrow)
B2. Worried And Sorry
B3. Who Will Feel Bitter At The Days End?
B4. John Ave. Seen From The Gray Train
B5. Don't Wait, Mary Jane
B6. (You Are Worth) A Million Dollars | | JOSEPHINE FOSTER All The Leaves Are Gone (2019 UK/EU
limited edition reissue of the 2004 12-track vinyl LP from the
American vocalist together with her backing band. The picture
sleeve comes with a download code posted and the lyric printed
insert while the vinyl looks barely played)
Tracklisting: In 2004, only the truly informed and forward-thinking heads "got" this mini masterpiece. Critics scratched their heads and usually resorted to comparisons of past artists, like ol Grace Slick and her Great Jefferson Society, Fairport Convention (but which era? SURELY Judy Dyble's early reign?), and at best, Shirley Collins. A few fans attempted to connect the record to even more obscure
"freak folk/rock" like Mellow Candle, Fear Itself, or Trees.
"All the Leaves are Gone" was made by unique personalities not concerned with influences or copying any bygone era. Surely, some things are in our DNA or even early childhood, as Josephine
Foster's roots in opera manifest themselves as much as any other influence in this organic song cycle. Sure, guitarist Brian Goodman may have heard Richard Thompson before, but his alchemical and molten guitar spray is purely his own, in tunings and intervals still not meant for normal humans to understand, mostly because his 2004 guts were poured into every sublime note (I think even Brian himself never even understood how good he was). That fiery emotion is also in every nuance of Foster's songs-- like life, there's disquieting, jagged moments of unease, and there's calm both before and after the storm. There are moments of utter gentleness along the journey---because yes, every concept album should be a voyage, and this is one everyone should take. - Steve Krakow
A1. Well-Heeled Men
A2. The Most Loved One
A3. All The Leaves Are Gone
A4. Nana
A5. Deathknell
A6. Silly Song
B1. Jailbird (Hero Of The Sorrow)
B2. Worried And Sorry
B3. Who Will Feel Bitter At The Days End?
B4. John Ave. Seen From The Gray Train
B5. Don't Wait, Mary Jane
B6. (You Are Worth) A Million Dollars | | JOSEPHINE FOSTER All The Leaves Are Gone (2019 UK/EU
limited edition reissue of the 2004 12-track vinyl LP from the
American vocalist together with her backing band. The picture
sleeve comes with a download code posted and the lyric printed
insert while the vinyl looks barely played)
Tracklisting: In 2004, only the truly informed and forward-thinking heads "got" this mini masterpiece. Critics scratched their heads and usually resorted to comparisons of past artists, like ol Grace Slick and her Great Jefferson Society, Fairport Convention (but which era? SURELY Judy Dyble's early reign?), and at best, Shirley Collins. A few fans attempted to connect the record to even more obscure
"freak folk/rock" like Mellow Candle, Fear Itself, or Trees.
"All the Leaves are Gone" was made by unique personalities not concerned with influences or copying any bygone era. Surely, some things are in our DNA or even early childhood, as Josephine
Foster's roots in opera manifest themselves as much as any other influence in this organic song cycle. Sure, guitarist Brian Goodman may have heard Richard Thompson before, but his alchemical and molten guitar spray is purely his own, in tunings and intervals still not meant for normal humans to understand, mostly because his 2004 guts were poured into every sublime note (I think even Brian himself never even understood how good he was). That fiery emotion is also in every nuance of Foster's songs-- like life, there's disquieting, jagged moments of unease, and there's calm both before and after the storm. There are moments of utter gentleness along the journey---because yes, every concept album should be a voyage, and this is one everyone should take. - Steve Krakow
A1. Well-Heeled Men
A2. The Most Loved One
A3. All The Leaves Are Gone
A4. Nana
A5. Deathknell
A6. Silly Song
B1. Jailbird (Hero Of The Sorrow)
B2. Worried And Sorry
B3. Who Will Feel Bitter At The Days End?
B4. John Ave. Seen From The Gray Train
B5. Don't Wait, Mary Jane
B6. (You Are Worth) A Million Dollars |
AWARDS WE WANT TO BUY
We always require Gold, Silver, Platinum and Multi-Platinum awards
on most artists - official B.P.I., R.I.A.A., I.F.P.I., C.R.I.A., S.N.E.P. etc. certified
or genuine in-house variants from around the world. We also need Ivor Novello, B.M.I.,
ASCAP etc. publishing awards, plaques, trophies, certificates and citations.
MEMORABILIA ALWAYS REQUIRED:
Programmes; concert tickets; original concert posters; invites; handbills &
flyers; promotional posters, standees, mobiles, displays & other P.O.S. material;
press kits, boxes & sales presenters; award discs; tour crew jackets & other
clothing; tour itineraries; promotional jackets, t-shirts & other clothing;
original artwork, proofs, colour separations, cromalins, bromides, etc; interesting
paper items, promotional gimmicks & most other memorabilia needed. Also buying:
original film posters; movie press books & press kits; cinema programmes; premiere
invites & programmes; promotional clothing & other items.
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